
plate no. 6917
Werner Berg, 1961
This painting is a good exercise in simplifying forms and understanding light and shadow on a face. Recreating it will help students practice color mixing with a limited palette and creating depth through atmospheric perspective.
technical profile
approach — 8 steps
Sketch the basic shapes of the figure, mountains, and trees, paying attention to proportions.
Block in the large areas of color for the sky, mountains, and figure using diluted paint.
Establish the light and shadow on the face, focusing on the planes and angles.
Add details to the headscarf, capturing the folds and highlights.
Paint the trees and foliage, varying the greens and blues to create depth.
Refine the shapes and edges of the mountains, using lighter blues for the distant peaks.
Add final details and highlights to the figure and landscape.
Check the overall balance and adjust colors as needed.
color palette
primary · ultramarine blue · yellow ochre · titanium white
secondary · burnt umber · viridian green
Mix blues and whites for the sky and mountains, adding a touch of yellow ochre to warm the blues. Use yellow ochre and burnt umber for the skin tones, and mix greens with blue and yellow.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-grain canvas for best results. Oil paints can be thinned with linseed oil or mineral spirits.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Dolly Sisters
Kees van Dongen

Nude with Loaves
Jean Helion

My Father
Carlos Botelho

Helen
Chronis Botsoglou

The portrait painter in the country
Albin Egger-Lienz

Marketta on Lázeňská street, Prague
Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city
Paul Werner

Old Woman with Masks (Theatre of Masks)
James Ensor