apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Church on Lenox Avenue
Church on Lenox Avenue by William H. Johnson

plate no. 7655

Church on Lenox Avenue

William H. Johnson, 1940

oilExpressionismcityscapechurchbuildingscityscapeskystreet
some experience helpful

Recreating this painting will help students practice simplified shapes, bold color choices, and expressive brushstrokes to create a stylized cityscape. It also encourages understanding of color relationships and simplification of details.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the buildings and church, focusing on their relative sizes and positions.

  2. step 02

    Block in the sky with a light blue or white, leaving space for the clouds.

  3. step 03

    Apply the primary colors (blue, red, yellow) to the buildings, using bold, visible brushstrokes.

  4. step 04

    Mix secondary colors (orange, brown) to add depth and variation to the buildings.

  5. step 05

    Add details such as windows and doors, using simplified shapes and contrasting colors.

  6. step 06

    Define the edges of the buildings and church with darker outlines to create separation.

  7. step 07

    Paint the street with a light gray or blue, adding shadows to create depth.

  8. step 08

    Add final touches such as highlights and details to enhance the overall composition.

color palette

primary · cobalt blue · cadmium red · cadmium yellow · titanium white

secondary · burnt sienna · raw umber · orange

Mix orange by combining red and yellow. Create browns by mixing red, yellow, and blue in varying proportions. Lighten colors with white.

techniques

  • ·blocking
  • ·impasto
  • ·color mixing
  • ·expressive brushwork
  • ·simplification

common pitfalls

  • →Overcomplicating the details of the buildings.
  • →Using too many colors and muddying the palette.
  • →Not creating enough contrast between light and dark areas.
  • →Losing the expressive quality of the brushstrokes.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20)
  • ·acrylic or oil paints
  • ·round brushes (#4, #8)
  • ·flat brushes (#6, #10)
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)
  • ·mineral spirits or turpentine (for cleaning brushes)

optional

  • ·easel
  • ·painting medium
  • ·varnish

Use a limited palette of primary colors to encourage color mixing. Consider using a thicker paint application to emphasize the brushstrokes.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Dolly Sisters

Dolly Sisters

Kees van Dongen

Nude with Loaves

Nude with Loaves

Jean Helion

My Father

My Father

Carlos Botelho

Helen

Helen

Chronis Botsoglou

The portrait painter in the country

The portrait painter in the country

Albin Egger-Lienz

Marketta on Lázeňská street, Prague

Marketta on Lázeňská street, Prague

Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city

Winter at the Entrepotdok, in Amsterdam city

Paul Werner

Old Woman with Masks (Theatre of Masks)

Old Woman with Masks (Theatre of Masks)

James Ensor