plate no. 2408
Chrysanthemum and loquat
Qi Baishi, 1948
some experience helpful
This painting provides an opportunity to practice controlled brushstrokes and varying ink densities to create depth and texture. Students can learn to simplify complex forms into essential lines and shapes.
technical profile
palette complexity
2
brushwork visibility
4
value contrast
4
compositional simplicity
3
study guide
est. 8 hrsapproach — 8 steps
- step 01
Lightly sketch the basic shapes and composition of the plants and bird.
- step 02
Prepare diluted ink washes for the lighter tones of the branches and leaves.
- step 03
Apply the lighter washes, allowing them to dry slightly.
- step 04
Use a darker ink to define the outlines of the flowers, leaves, and berries with confident brushstrokes.
- step 05
Add details to the bird, focusing on its form and posture.
- step 06
Create texture on the leaves and branches using dry brush techniques.
- step 07
Add the calligraphy elements with a fine brush and dark ink.
- step 08
Refine the details and adjust the values to create a balanced composition.
color palette
primary · black ink · light grey
secondary · yellow · red-brown
Vary the ink density by adding water to achieve different shades of grey. Mix yellow with a touch of brown for the berries.
techniques
- ·ink wash
- ·dry brush
- ·calligraphic line work
- ·varying ink density
- ·negative space
common pitfalls
- →Overworking the details
- →Using too much water and losing definition
- →Creating muddy colors
- →Not varying the ink density enough
- →Inaccurate proportions of the plants
materials
surface · Rice paper
required
- ·Chinese calligraphy brush
- ·Chinese ink stick
- ·Ink stone
- ·Rice paper
- ·Water
- ·Palette
- ·Felt mat
optional
- ·Watercolor paints (yellow, red-brown)
- ·Brush rest
- ·Paper weights
Use a soft brush for washes and a stiffer brush for details. Practice brushstrokes on scrap paper before applying them to the final piece.
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