
plate no. 2390
Recreating this painting will help students understand the use of negative space and bold lines to create form and expression. It's a good exercise in simplifying complex shapes into basic black and white areas.
technical profile
approach — 8 steps
Create a light sketch of the overall composition, focusing on the placement of the head, hand, and shoulders.
Identify the main areas of light and shadow on the face and hand.
Begin filling in the large areas of black, starting with the background and clothing.
Use bold, deliberate brushstrokes to define the facial features and hair, following the direction of the forms.
Pay close attention to the negative space around the face and hand, using it to further define the shapes.
Add texture to the black areas by varying the direction and pressure of your brushstrokes.
Refine the edges of the white areas to create a crisp, clean look.
Add final details, such as the lines in the forehead and around the eyes.
color palette
primary · black · white
secondary ·
No mixing required, just use black and white directly from the tube.
techniques
common pitfalls
surface · stretched canvas
required
optional
Using a slightly textured canvas can enhance the dry brush effect.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Dolly Sisters
Kees van Dongen

Nude with Loaves
Jean Helion

My Father
Carlos Botelho

Helen
Chronis Botsoglou

The portrait painter in the country
Albin Egger-Lienz

Marketta on Lázeňská street, Prague
Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city
Paul Werner

Old Woman with Masks (Theatre of Masks)
James Ensor