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home·artworks·Christ Showing A Little Child As The Emblem Of Heaven
Christ Showing A Little Child As The Emblem Of Heaven by Benjamin West

plate no. 5016

Christ Showing A Little Child As The Emblem Of Heaven

Benjamin West, 1790

oil, canvasNeoclassicismreligious paintingfigureschildrenreligious scenearchitecturelandscapegroup portrait
experienced study

Recreating this painting will help students develop skills in figure drawing, portraiture, and rendering drapery with light and shadow. It also provides practice in creating a complex composition with multiple figures and a sense of depth.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figures.

  2. step 02

    Block in the main shapes and colors of the background, focusing on the archway and distant landscape.

  3. step 03

    Begin painting the figures, starting with the central figure of Christ and the child.

  4. step 04

    Pay close attention to the light source and how it affects the forms of the figures, creating highlights and shadows.

  5. step 05

    Develop the drapery, using layers of paint to create folds and textures.

  6. step 06

    Add details to the faces, focusing on capturing the expressions and individual characteristics of each person.

  7. step 07

    Refine the background and foreground, adding details to create depth and interest.

  8. step 08

    Add final highlights and shadows to enhance the overall effect.

color palette

primary · red · yellow ochre · ultramarine blue · titanium white

secondary · burnt umber · raw sienna · viridian green

Mix various shades of red by combining red with white, yellow ochre, and burnt umber. Create skin tones by mixing white, yellow ochre, and a touch of red. Use ultramarine blue and white for the sky.

techniques

  • ·figure drawing
  • ·portraiture
  • ·drapery rendering
  • ·chiaroscuro
  • ·glazing

common pitfalls

  • →Incorrect proportions of figures
  • →Flat, lifeless skin tones
  • →Overly stiff or unnatural poses
  • →Lack of depth in the composition

materials

surface · stretched canvas

required

  • ·Stretched canvas 18x24
  • ·Oil paints (red, yellow ochre, ultramarine blue, titanium white, burnt umber, raw sienna, viridian green)
  • ·Palette
  • ·Assorted brushes (round, flat, filbert)
  • ·Linseed oil
  • ·Turpentine or odorless mineral spirits
  • ·Palette knife
  • ·Rags

optional

  • ·Retouch varnish
  • ·Medium gloss
  • ·Easel

Use high-quality oil paints for best results. Pre-prime the canvas with gesso for a smooth surface.

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