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Christ Blessing by Antonello da Messina

plate no. 6551

Christ Blessing

Antonello da Messina, 1465

oil, woodEarly Renaissancereligious paintingfigureportraitreligioushandsclothingtable
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and subtle value gradations to create form. Students will also practice rendering realistic skin tones and drapery folds.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Prepare a toned canvas with a warm brown underpainting.

  2. step 02

    Lightly sketch the basic shapes and proportions of the figure, table, and hands.

  3. step 03

    Block in the main areas of color: the background, face, hair, clothing, and table.

  4. step 04

    Start refining the facial features, paying close attention to the subtle shifts in value and color.

  5. step 05

    Develop the folds and shadows in the clothing, using thin layers of paint.

  6. step 06

    Add details to the hands, focusing on the knuckles, wrinkles, and fingernails.

  7. step 07

    Paint the table and the note, paying attention to the light and shadow.

  8. step 08

    Add final highlights and details to the entire painting.

color palette

primary · raw umber · burnt sienna · titanium white · cadmium red

secondary · ultramarine blue · yellow ochre

Mix skin tones using white, yellow ochre, burnt sienna, and a touch of red. Achieve the red of the robe by layering burnt sienna and cadmium red. Use ultramarine blue mixed with burnt sienna to create the darker tones in the background and clothing.

techniques

  • ·glazing
  • ·scumbling
  • ·blending
  • ·chiaroscuro
  • ·layering

common pitfalls

  • →Incorrect proportions of the face and hands.
  • →Overly harsh or muddy skin tones.
  • →Flat or lifeless rendering of the clothing.
  • →Ignoring subtle value changes.

materials

surface · stretched canvas

required

  • ·Stretched canvas
  • ·Oil paints (raw umber, burnt sienna, titanium white, cadmium red, ultramarine blue, yellow ochre)
  • ·Round brushes (sizes 0, 2, 4)
  • ·Flat brushes (sizes 4, 6)
  • ·Palette
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife

optional

  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. Allow each layer of paint to dry before applying the next.

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