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home·artworks·Chatham Square
Chatham Square by Franz Kline

plate no. 5493

Chatham Square

Franz Kline, 1948

oilExpressionismcityscapecityscapebuildingsfiguresstreetarchitecture
some experience helpful

Recreating this painting will help students understand abstracting from reality and using expressive brushstrokes to convey form and atmosphere. It also encourages exploration of color relationships within a limited palette.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and structure of the buildings and street using a thin brush or charcoal.

  2. step 02

    Block in the large areas of color, focusing on the overall value and temperature of each section.

  3. step 03

    Begin to define the edges of the shapes with bolder, more visible brushstrokes.

  4. step 04

    Introduce darker values to create depth and contrast, particularly in the shadows.

  5. step 05

    Add highlights and lighter values to suggest light and form.

  6. step 06

    Refine the details and add smaller brushstrokes to create texture and visual interest.

  7. step 07

    Pay attention to the relationships between the colors and adjust as needed to create a harmonious composition.

  8. step 08

    Step back and assess the overall effect, making any final adjustments to the composition, color, or value.

color palette

primary · burnt sienna · raw umber · titanium white · viridian green

secondary · cadmium red light · yellow ochre

Mix various shades of brown and green by combining burnt sienna, raw umber, viridian green, and white. Use small amounts of cadmium red and yellow ochre to add warmth and variation to the browns.

techniques

  • ·broken color
  • ·dry brush
  • ·scumbling
  • ·alla prima
  • ·expressive brushwork

common pitfalls

  • →overworking the painting
  • →getting bogged down in details too early
  • →not establishing a strong value structure
  • →using colors straight from the tube without mixing

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt sienna oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·viridian green oil paint
  • ·#4 round brush
  • ·#8 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a medium-grit canvas to allow for texture. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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