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home·artworks·Chartres Cathedral
Chartres Cathedral by Chaim Soutine

plate no. 7097

Chartres Cathedral

Chaim Soutine, 1934

oil, panelExpressionismcityscapecathedralarchitecturebuildingskycityscape
some experience helpful

Recreating this painting will help students develop skills in expressive brushwork and capturing the essence of a subject rather than precise detail. It also encourages experimentation with color and texture to convey mood and atmosphere.

technical profile

palette complexity
3
brushwork visibility
5
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the cathedral and its towers, focusing on proportions.

  2. step 02

    Block in the sky with broad strokes of blue, purple, and white, allowing colors to blend on the canvas.

  3. step 03

    Establish the main areas of light and shadow on the cathedral using a mix of yellow, green, and brown.

  4. step 04

    Add details to the architecture with thicker paint and visible brushstrokes, emphasizing the verticality of the structure.

  5. step 05

    Use darker colors to define the windows and other architectural elements.

  6. step 06

    Create texture by applying paint in short, choppy strokes and varying the pressure on the brush.

  7. step 07

    Refine the colors and values, adjusting the overall balance of the painting.

  8. step 08

    Add final highlights and details to bring the painting to life.

color palette

primary · yellow ochre · ultramarine blue · burnt umber

secondary · titanium white · cadmium yellow · alizarin crimson

Mix greens by combining yellow ochre and ultramarine blue. Achieve various shades of brown by mixing burnt umber with yellow ochre and alizarin crimson. Use white to lighten colors and create highlights.

techniques

  • ·impasto
  • ·expressive brushwork
  • ·color mixing
  • ·alla prima
  • ·scumbling

common pitfalls

  • →Overworking the painting and losing the freshness of the initial strokes.
  • →Focusing too much on detail and neglecting the overall composition.
  • →Using colors straight from the tube without mixing them.
  • →Creating muddy colors by over-blending.

materials

surface · stretched canvas

required

  • ·stretched canvas (18x24 inches)
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (flat and round)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits

optional

  • ·painting medium
  • ·easel
  • ·rags

Use a canvas with a medium texture to enhance the impasto effect. Consider using a limited palette to simplify the color mixing process.

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