
plate no. 7097
Chaim Soutine, 1934
Recreating this painting will help students develop skills in expressive brushwork and capturing the essence of a subject rather than precise detail. It also encourages experimentation with color and texture to convey mood and atmosphere.
technical profile
approach — 8 steps
Lightly sketch the basic shapes of the cathedral and its towers, focusing on proportions.
Block in the sky with broad strokes of blue, purple, and white, allowing colors to blend on the canvas.
Establish the main areas of light and shadow on the cathedral using a mix of yellow, green, and brown.
Add details to the architecture with thicker paint and visible brushstrokes, emphasizing the verticality of the structure.
Use darker colors to define the windows and other architectural elements.
Create texture by applying paint in short, choppy strokes and varying the pressure on the brush.
Refine the colors and values, adjusting the overall balance of the painting.
Add final highlights and details to bring the painting to life.
color palette
primary · yellow ochre · ultramarine blue · burnt umber
secondary · titanium white · cadmium yellow · alizarin crimson
Mix greens by combining yellow ochre and ultramarine blue. Achieve various shades of brown by mixing burnt umber with yellow ochre and alizarin crimson. Use white to lighten colors and create highlights.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a canvas with a medium texture to enhance the impasto effect. Consider using a limited palette to simplify the color mixing process.
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