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home·artworks·Chalet in the Mountains
Chalet in the Mountains by William H. Johnson

plate no. 9075

Chalet in the Mountains

William H. Johnson, 1938

oilExpressionismlandscapehousesmountainsskytreeslandscapevillage
some experience helpful

Recreating this painting will help students understand how to simplify complex scenes into basic shapes and explore expressive brushwork to convey texture and form. It also provides practice in color mixing and creating a sense of depth through color and value.

technical profile

palette complexity
3
brushwork visibility
5
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the houses, mountains, and trees, focusing on their relative sizes and positions.

  2. step 02

    Block in the main color areas for the sky, mountains, houses, and ground using simplified, flat tones.

  3. step 03

    Begin adding darker values to define the shadows and create depth within each element.

  4. step 04

    Introduce secondary colors and highlights to add dimension and visual interest.

  5. step 05

    Use bold, visible brushstrokes to build up texture and emphasize the expressive quality of the painting.

  6. step 06

    Refine the shapes and edges of the elements, paying attention to the relationships between them.

  7. step 07

    Add final details, such as windows, doors, and foliage, using smaller brushstrokes.

  8. step 08

    Step back and assess the overall composition, making any necessary adjustments to balance the colors and values.

color palette

primary · ultramarine blue · titanium white · yellow ochre · burnt sienna

secondary · sap green · cadmium red · violet

Mix various shades of blue for the sky and roofs, using white to lighten and violet to darken. Create earth tones by mixing burnt sienna with yellow ochre and white. Achieve greens by mixing blue and yellow.

techniques

  • ·impasto
  • ·broken color
  • ·expressive brushwork
  • ·color blocking
  • ·scumbling

common pitfalls

  • →Overblending the colors, which can result in a muddy appearance.
  • →Getting bogged down in details too early in the process.
  • →Failing to simplify the forms and shapes.
  • →Not using enough paint to create the desired texture.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·acrylic or oil paints
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)
  • ·artist grade gesso

optional

  • ·painting medium
  • ·easel
  • ·rags

Using thicker paint will help achieve the impasto effect. Consider using a palette knife for applying paint in some areas.

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oil painting for beginners →how to learn by studying the masters →
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