apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Ceret Lanscape
Ceret Lanscape by Chaim Soutine

plate no. 1861

Ceret Lanscape

Chaim Soutine, 1920

oil, canvasExpressionismlandscapebuildingslandscapetreeshillsvillage
experienced study

Recreating this painting will help students develop skills in expressive brushwork and understanding how to simplify complex scenes into basic shapes and colors. It will also help with learning how to create depth and texture with visible brushstrokes.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
4
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the buildings, hills, and trees, focusing on their relative sizes and positions.

  2. step 02

    Block in the main color areas with thin washes, starting with the darkest tones and gradually adding lighter values.

  3. step 03

    Begin applying thicker paint with visible brushstrokes, following the direction of the forms to create texture and depth.

  4. step 04

    Focus on capturing the overall color harmony and mood of the painting, rather than precise details.

  5. step 05

    Use short, broken brushstrokes to create the foliage and ground, varying the color and value to suggest depth.

  6. step 06

    Add highlights to the buildings and trees to create a sense of light and shadow.

  7. step 07

    Refine the edges of the shapes and blend the colors where necessary to create a sense of unity.

  8. step 08

    Step back and assess the overall effect, making any final adjustments to the color, value, and composition.

color palette

primary · titanium white · burnt umber · cadmium orange · viridian

secondary · yellow ochre · ultramarine blue · cadmium red

Mix greens by combining viridian with yellow ochre or ultramarine blue. Achieve the warm tones of the roofs by mixing cadmium orange with burnt umber and a touch of cadmium red. Vary the white with touches of yellow ochre and burnt umber to create different shades.

techniques

  • ·impasto
  • ·broken color
  • ·expressive brushwork
  • ·alla prima
  • ·scumbling

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Getting bogged down in details and losing the overall impression.
  • →Not varying the color and value enough to create depth and interest.
  • →Using too much blending and creating a muddy effect.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine

optional

  • ·painting medium
  • ·easel
  • ·rags

Use a medium-textured canvas to enhance the brushstrokes. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Dolly Sisters

Dolly Sisters

Kees van Dongen

Nude with Loaves

Nude with Loaves

Jean Helion

My Father

My Father

Carlos Botelho

Helen

Helen

Chronis Botsoglou

The portrait painter in the country

The portrait painter in the country

Albin Egger-Lienz

Marketta on Lázeňská street, Prague

Marketta on Lázeňská street, Prague

Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city

Winter at the Entrepotdok, in Amsterdam city

Paul Werner

Old Woman with Masks (Theatre of Masks)

Old Woman with Masks (Theatre of Masks)

James Ensor