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home·artworks·Celebrating City
Celebrating  City by Ervin Tamas

plate no. 5337

Celebrating City

Ervin Tamas, 1964

oilExpressionismcityscapecityscapebuildingsflagscrowdstreettrees
some experience helpful

Recreating this painting will help students develop skills in simplifying complex scenes and using expressive brushstrokes to convey atmosphere. It also provides practice in color mixing to achieve a cohesive, muted palette.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the buildings and the general placement of the crowd.

  2. step 02

    Establish the overall value structure with a thin wash of neutral gray.

  3. step 03

    Block in the main areas of color for the buildings, using a limited palette of grays, browns, and creams.

  4. step 04

    Add the darker tones for shadows and details in the buildings, using thicker paint and visible brushstrokes.

  5. step 05

    Paint the crowd in the foreground as a mass of dark shapes, suggesting individual figures with quick, gestural strokes.

  6. step 06

    Introduce the red flags, using bold, impasto strokes to create a focal point.

  7. step 07

    Add touches of green for the trees and other vegetation.

  8. step 08

    Refine the details and adjust the values as needed to create a sense of depth and atmosphere.

color palette

primary · gray · white · black · red

secondary · brown · green · cream

Achieve the various shades of gray by mixing black and white, and add small amounts of brown or blue to create subtle variations. The red is used pure, but can be toned down with a touch of brown for the darker areas.

techniques

  • ·dry brush
  • ·scumbling
  • ·limited palette
  • ·alla prima
  • ·broken color

common pitfalls

  • →Overworking the details and losing the expressive quality of the brushstrokes.
  • →Making the colors too saturated and bright, which will detract from the muted atmosphere.
  • →Failing to establish a clear value structure, resulting in a flat and lifeless painting.
  • →Getting bogged down in the details of the crowd, instead of focusing on the overall shape and gesture.

materials

surface · stretched canvas

required

  • ·Stretched canvas (16x20 inches)
  • ·Oil paints: titanium white, ivory black, burnt umber, cadmium red
  • ·Palette
  • ·Assorted brushes (flat and round)
  • ·Palette knife
  • ·Odorless mineral spirits
  • ·Linseed oil
  • ·Rags

optional

  • ·Retarder medium
  • ·varnish

Use a medium-grain canvas to allow for texture. Consider using a limited palette to simplify color mixing.

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