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home·artworks·Cassis. The roofs of the city
Cassis. The roofs of the city by Zinaida Serebriakova

plate no. 0441

Cassis. The roofs of the city

Zinaida Serebriakova, 1928

oilExpressionismcityscapecityscaperooftopsbuildingsskytreeschurch
some experience helpful

Recreating this painting will help students develop skills in simplifying complex scenes into basic shapes and understanding how light and shadow define form. It also provides practice in creating texture with visible brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the buildings and the horizon line, focusing on proportions and perspective.

  2. step 02

    Block in the large areas of color for the sky, distant hills, and the overall tones of the rooftops and buildings.

  3. step 03

    Establish the main light and shadow patterns on the buildings, using a limited palette of warm and cool grays and browns.

  4. step 04

    Add details to the rooftops, such as the lines of the tiles, using short, deliberate brushstrokes.

  5. step 05

    Introduce local color variations to the buildings, varying the tones of the walls and shutters.

  6. step 06

    Refine the details of the church tower and the surrounding trees, paying attention to their shapes and values.

  7. step 07

    Add highlights to the sunlit areas of the rooftops and buildings to create a sense of depth and dimension.

  8. step 08

    Make final adjustments to the overall composition, ensuring that the values and colors are balanced and harmonious.

color palette

primary · burnt umber · titanium white · yellow ochre

secondary · ultramarine blue · raw sienna · cadmium red light

Mix various shades of gray by combining white, umber, and a touch of blue. Use yellow ochre and burnt sienna to create warm browns for the rooftops, adjusting the intensity with white or umber.

techniques

  • ·blocking in
  • ·broken color
  • ·scumbling
  • ·dry brushing
  • ·atmospheric perspective

common pitfalls

  • →Getting bogged down in excessive detail too early in the process.
  • →Failing to establish a strong value structure before adding color.
  • →Overworking the brushstrokes and losing the freshness of the painting.
  • →Not simplifying the complex shapes of the buildings and rooftops.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints
  • ·#4 round brush
  • ·#8 flat brush
  • ·palette
  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·painting medium
  • ·easel
  • ·rags

A toned canvas (e.g., with a thin wash of burnt umber) can be helpful for establishing a warm undertone.

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oil painting for beginners →how to learn by studying the masters →
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