
plate no. 0441
Zinaida Serebriakova, 1928
Recreating this painting will help students develop skills in simplifying complex scenes into basic shapes and understanding how light and shadow define form. It also provides practice in creating texture with visible brushstrokes.
technical profile
approach — 8 steps
Lightly sketch the basic shapes of the buildings and the horizon line, focusing on proportions and perspective.
Block in the large areas of color for the sky, distant hills, and the overall tones of the rooftops and buildings.
Establish the main light and shadow patterns on the buildings, using a limited palette of warm and cool grays and browns.
Add details to the rooftops, such as the lines of the tiles, using short, deliberate brushstrokes.
Introduce local color variations to the buildings, varying the tones of the walls and shutters.
Refine the details of the church tower and the surrounding trees, paying attention to their shapes and values.
Add highlights to the sunlit areas of the rooftops and buildings to create a sense of depth and dimension.
Make final adjustments to the overall composition, ensuring that the values and colors are balanced and harmonious.
color palette
primary · burnt umber · titanium white · yellow ochre
secondary · ultramarine blue · raw sienna · cadmium red light
Mix various shades of gray by combining white, umber, and a touch of blue. Use yellow ochre and burnt sienna to create warm browns for the rooftops, adjusting the intensity with white or umber.
techniques
common pitfalls
surface · stretched canvas
required
optional
A toned canvas (e.g., with a thin wash of burnt umber) can be helpful for establishing a warm undertone.
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