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home·artworks·Carousel
Carousel by Vilmos Aba-Novak

plate no. 1445

Carousel

Vilmos Aba-Novak, 1931

tempera, woodExpressionismgenre paintingcarouselfigurescrowdhorsesarchitecturefestivity
some experience helpful

Recreating this painting will help students practice simplifying complex scenes into basic shapes and using expressive brushstrokes to convey movement and energy. It also encourages experimentation with color mixing to achieve a vibrant yet harmonious palette.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
2

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the carousel structure and the overall composition, focusing on proportions and placement.

  2. step 02

    Block in the main color areas for the background, carousel canopy, and the general areas where the figures will be.

  3. step 03

    Start defining the individual figures with simple shapes and colors, paying attention to their poses and interactions.

  4. step 04

    Add details to the carousel horses and other elements, using thicker paint and visible brushstrokes.

  5. step 05

    Introduce highlights and shadows to create depth and dimension, focusing on areas where light is most prominent.

  6. step 06

    Refine the details of the figures' clothing and faces, using smaller brushes for precision.

  7. step 07

    Add final touches and adjustments to the colors and values to enhance the overall vibrancy and expressiveness.

  8. step 08

    Step back and assess the painting, making any necessary corrections to balance the composition and color harmony.

color palette

primary · red · yellow · blue · brown

secondary · purple · orange · white · grey

Achieve the various skin tones by mixing red, yellow, and brown with white. Create the blues and purples by mixing blue with red and white. Muted tones are achieved by adding complementary colors.

techniques

  • ·blocking in
  • ·expressive brushstrokes
  • ·color mixing
  • ·layering
  • ·scumbling

common pitfalls

  • →Overworking details too early
  • →Getting lost in the complexity of the crowd
  • →Not simplifying shapes enough
  • →Using colors straight from the tube without mixing

materials

surface · Wood panel or primed canvas

required

  • ·Tempera paints
  • ·Canvas or wood panel
  • ·Assorted brushes (flat and round)
  • ·Palette
  • ·Water
  • ·Palette knife
  • ·Rags

optional

  • ·Medium for tempera
  • ·Varnish
  • ·Easel

Tempera dries quickly, so work in small sections. A wood panel will provide a smooth surface for the tempera.

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