
plate no. 7559
Koshiro Onchi, 1948
Recreating this painting will help students practice color blocking and understanding the relationship between simple shapes. It also encourages careful observation of subtle color variations within seemingly flat areas.
technical profile
approach — 8 steps
Lightly sketch the basic shapes and their placement on the canvas.
Block in the large areas of color: the blue square, the off-white background, and the yellow tabletop.
Mix the brown color for the bread and fill in the shape, paying attention to the subtle variations in tone.
Paint the white paper under the bread, adding subtle shadows to define its form.
Carefully paint the white geometric shape, using light blue to create shadows and volume.
Paint the matchbox, paying close attention to the details of the lettering and color variations.
Add any final details and adjustments to refine the shapes and colors.
Allow to dry completely.
color palette
primary · ultramarine blue · yellow ochre · titanium white
secondary · burnt umber · cadmium red
The background color is a mix of titanium white with a very small amount of yellow ochre and burnt umber. The bread color is achieved by mixing burnt umber with a touch of yellow ochre and white. The white shape has a hint of blue.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a canvas with a smooth surface to achieve the flat, even color blocks. Acrylics are recommended for their quick drying time and ease of use.
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