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home·artworks·Cappella Rinuccini
Cappella Rinuccini by Giovanni da Milano

plate no. 7187

Cappella Rinuccini

Giovanni da Milano, 1370

oilProto Renaissancereligious paintingfiguresarchitecturereligious scenearchesclothinginterior
some experience helpful

Recreating this painting will help students develop skills in figure drawing, drapery, and architectural rendering, while also learning about color mixing to achieve muted, earthy tones.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the overall composition, paying attention to the placement of figures and architectural elements.

  2. step 02

    Block in the main areas of color for the figures, architecture, and background.

  3. step 03

    Begin to refine the shapes and details of the figures, focusing on the folds of the drapery.

  4. step 04

    Add details to the architectural elements, such as the arches, columns, and decorative patterns.

  5. step 05

    Mix and apply subtle variations in color to create depth and dimension.

  6. step 06

    Add highlights and shadows to enhance the form of the figures and architecture.

  7. step 07

    Carefully render the faces and hands of the figures, paying attention to the expressions and gestures.

  8. step 08

    Add final details and touch-ups to complete the painting.

color palette

primary · red ochre · yellow ochre · raw umber · titanium white

secondary · sap green · ultramarine blue · ivory black

Mix earth tones with white to create muted colors. Use small amounts of blue or green to create subtle variations in the shadows.

techniques

  • ·underpainting
  • ·glazing
  • ·dry brushing
  • ·hatching
  • ·scumbling

common pitfalls

  • →Overworking the details too early in the process.
  • →Using colors that are too bright or saturated.
  • →Ignoring the importance of value contrast.
  • →Not paying attention to the proportions of the figures.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic gesso
  • ·red ochre acrylic paint
  • ·yellow ochre acrylic paint
  • ·raw umber acrylic paint
  • ·titanium white acrylic paint
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)

optional

  • ·palette knife
  • ·retarder medium
  • ·varnish

Use a high-quality canvas and acrylic paints for best results. Consider using a retarder medium to slow down the drying time of the acrylics.

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oil painting for beginners →how to learn by studying the masters →
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