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home·artworks·Capela de Santo Amaro
Capela de Santo Amaro by Jose Escada

plate no. 3077

Capela de Santo Amaro

Jose Escada, 1979

oilExpressionismcityscapebuildingchurchskycloudscurtainstelephone
some experience helpful

Recreating this painting will help students develop skills in layering colors, creating texture with brushstrokes, and understanding how to simplify complex shapes into basic forms. It also provides practice in creating a sense of depth and atmosphere.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, including the building, window frame, curtains, and telephone.

  2. step 02

    Block in the main colors for the sky, clouds, building, and curtains using thin washes.

  3. step 03

    Add details to the building, such as the arches, windows, and dome, using darker and lighter shades of the base color.

  4. step 04

    Develop the clouds by layering different shades of white and gray, blending the edges for a soft effect.

  5. step 05

    Paint the curtains with bold brushstrokes, using a mix of red, orange, and brown.

  6. step 06

    Add the details of the telephone, paying attention to the highlights and shadows.

  7. step 07

    Paint the photographs on the curtain.

  8. step 08

    Refine the details and add final touches to the painting.

color palette

primary · light blue · purple · red · orange

secondary · green · white · black

Mix light blues and purples for the building and sky. Achieve cloud variations by mixing white with small amounts of blue, purple, and gray. Create the curtain colors by mixing red, orange, and brown.

techniques

  • ·layering
  • ·dry brushing
  • ·color mixing
  • ·scumbling
  • ·blocking

common pitfalls

  • →Overworking the details and losing the expressive quality of the brushstrokes.
  • →Not paying attention to the color temperature and creating a muddy effect.
  • →Failing to create a sense of depth and atmosphere.
  • →Getting lost in the details of the building and forgetting the overall composition.

materials

surface · stretched canvas

required

  • ·Stretched canvas
  • ·Acrylic or oil paints
  • ·Round brushes (various sizes)
  • ·Flat brushes (various sizes)
  • ·Palette
  • ·Palette knife
  • ·Linseed oil or acrylic medium
  • ·Odorless mineral spirits or water

optional

  • ·easel
  • ·painting medium
  • ·varnish

Use a medium-grain canvas for best results. Choose acrylic or oil paints based on your preference and experience. Use a variety of brushes to create different effects.

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oil painting for beginners →how to learn by studying the masters →
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