apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Café im Zürcher Belvoir-Park
Café im Zürcher Belvoir-Park by Varlin

plate no. 9206

Café im Zürcher Belvoir-Park

Varlin, 1937

oilExpressionismcityscapecityscapeparkcafetreesfiguresarchitecture
some experience helpful

Recreating this painting will help students practice loose brushwork and capturing a scene's atmosphere with simplified forms. It's also a good exercise in creating depth through layering and value changes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and composition: building, trees, and the general layout of the cafe area.

  2. step 02

    Establish the background with broad strokes of green and brown for the trees and foliage.

  3. step 03

    Block in the main areas of the cafe scene: the ground, tables, and figures, using a limited palette of grays, whites, and blacks.

  4. step 04

    Add details to the building and trees, focusing on capturing the texture with visible brushstrokes.

  5. step 05

    Refine the figures and tables, adding small touches of color to suggest clothing and details.

  6. step 06

    Introduce highlights and shadows to create depth and dimension, paying attention to the light source.

  7. step 07

    Add final touches, such as the dogs and any other small details that add interest to the scene.

  8. step 08

    Evaluate and adjust the overall balance and harmony of the painting.

color palette

primary · gray · white · brown · green

secondary · black · yellow ochre · raw umber

Mix various shades of gray by combining white with small amounts of black, brown, and blue. Use yellow ochre and raw umber to create warm browns and greens.

techniques

  • ·dry brush texture
  • ·scumbling
  • ·broken color
  • ·alla prima
  • ·layering

common pitfalls

  • →Overworking the details and losing the loose, expressive quality.
  • →Creating muddy colors by overmixing.
  • →Failing to establish a clear light source.
  • →Making the figures too detailed and realistic.

materials

surface · stretched canvas

required

  • ·Stretched canvas 12x16
  • ·Acrylic or oil paints
  • ·Round brushes (various sizes)
  • ·Flat brushes (various sizes)
  • ·Palette
  • ·Palette knife
  • ·Odorless mineral spirits or water (depending on paint type)
  • ·Linseed oil (if using oil paints)

optional

  • ·medium gloss
  • ·easel
  • ·rags

Use a canvas with a medium texture to enhance the brushwork. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Dolly Sisters

Dolly Sisters

Kees van Dongen

Nude with Loaves

Nude with Loaves

Jean Helion

My Father

My Father

Carlos Botelho

Helen

Helen

Chronis Botsoglou

The portrait painter in the country

The portrait painter in the country

Albin Egger-Lienz

Marketta on Lázeňská street, Prague

Marketta on Lázeňská street, Prague

Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city

Winter at the Entrepotdok, in Amsterdam city

Paul Werner

Old Woman with Masks (Theatre of Masks)

Old Woman with Masks (Theatre of Masks)

James Ensor