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home·artworks·Cabeza De Gitana
Cabeza De Gitana by Carlos Quizpez Asín

plate no. 4293

Cabeza De Gitana

Carlos Quizpez Asín, 1934

oilExpressionismportraitportraitwomanjewelryprofilehairclothing
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing subtle variations in skin tone and creating a sense of depth through layering and glazing. It also provides practice in rendering jewelry and clothing details.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the outline of the woman's face, hair, and clothing, paying attention to proportions.

  2. step 02

    Block in the main areas of color: the skin, hair, background, and clothing.

  3. step 03

    Begin layering the skin tones, starting with mid-tones and gradually adding highlights and shadows.

  4. step 04

    Refine the features of the face, focusing on the eyes, nose, and mouth.

  5. step 05

    Add details to the hair, creating texture and depth.

  6. step 06

    Paint the jewelry, paying attention to the highlights and shadows to create a sense of realism.

  7. step 07

    Refine the clothing, adding details and texture.

  8. step 08

    Make final adjustments to the overall composition, ensuring that the values and colors are balanced.

color palette

primary · burnt umber · yellow ochre · titanium white

secondary · cadmium orange · ivory black

Achieve skin tones by mixing burnt umber, yellow ochre, and titanium white in varying proportions. Add small amounts of cadmium orange for warmth and ivory black for shadows.

techniques

  • ·layering
  • ·glazing
  • ·blending
  • ·scumbling
  • ·portraiture

common pitfalls

  • →Overworking the skin tones, resulting in a muddy or flat appearance.
  • →Failing to capture the subtle variations in skin tone, resulting in a lack of realism.
  • →Ignoring the importance of highlights and shadows, resulting in a flat and lifeless painting.
  • →Getting the proportions wrong, resulting in a distorted portrait.

materials

surface · stretched canvas

required

  • ·stretched canvas (12x16 inches)
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·cadmium orange oil paint
  • ·ivory black oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·odorless mineral spirits

Use high-quality oil paints for best results. A medium such as linseed oil can be used to thin the paints and improve flow.

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oil painting for beginners →how to learn by studying the masters →
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