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home·artworks·By the Outdoor Photographer
By the Outdoor Photographer by Yiannis Moralis

plate no. 8926

By the Outdoor Photographer

Yiannis Moralis, 1934

oil, canvasExpressionismportraitfiguresportraitsdressesbackgroundarchitecturechild
some experience helpful

Recreating this painting will help students develop skills in simplified figure drawing and color mixing to achieve muted tones. It also encourages exploration of expressive brushwork and composition.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figures and background elements on the canvas.

  2. step 02

    Block in the large areas of color for the figures' dresses and the background, using thin washes of paint.

  3. step 03

    Gradually build up the color intensity and add subtle variations in tone to create depth and form.

  4. step 04

    Define the facial features and details of the figures, paying attention to their expressions.

  5. step 05

    Add the architectural details in the background, using simplified shapes and muted colors.

  6. step 06

    Introduce small details like the flower and the patterns on the dresses.

  7. step 07

    Refine the edges and contours of the figures and objects to create a sense of unity.

  8. step 08

    Add final touches and highlights to enhance the overall composition.

color palette

primary · red · ochre · blue · white

secondary · green · black

Achieve the muted tones by mixing primary colors with white and small amounts of complementary colors. Use ochre and red to create the dress colors, and blue with white for the background.

techniques

  • ·Simplified figure drawing
  • ·Color blocking
  • ·Muted color mixing
  • ·Expressive brushwork
  • ·Layering

common pitfalls

  • →Overworking the details and losing the simplified aesthetic.
  • →Using colors that are too bright or saturated.
  • →Incorrect proportions of the figures.
  • →Ignoring the overall composition and balance.

materials

surface · stretched canvas

required

  • ·Stretched canvas (16x20 inches)
  • ·Oil paints (red, ochre, blue, white, green, black)
  • ·Palette
  • ·Assorted brushes (flat and round)
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife
  • ·Rags

optional

  • ·Medium gloss
  • ·Easel
  • ·Color chart

Use good quality oil paints for better color saturation and longevity. Pre-toned canvas can help to achieve the muted color palette.

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