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home·artworks·Butcher Shop
Butcher Shop by Lovis Corinth

plate no. 3668

Butcher Shop

Lovis Corinth, 1897

oilExpressionismgenre paintingfiguremeatbutcher shopinteriorhanging meatwindow
experienced study

Recreating this painting will help students develop skills in loose brushwork, color mixing for realistic flesh tones, and creating depth through atmospheric perspective. It also provides practice in capturing the essence of a scene rather than precise detail.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes and composition, focusing on the placement of the figure and hanging meat.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber or a similar earth tone.

  3. step 03

    Block in the main color masses, starting with the darkest areas and gradually working towards the lighter tones.

  4. step 04

    Begin to refine the figure's features and clothing, paying attention to the subtle shifts in color and value.

  5. step 05

    Add details to the hanging meat, using short, broken brushstrokes to create texture and form.

  6. step 06

    Develop the background and surrounding environment, using softer brushstrokes and muted colors to create depth.

  7. step 07

    Add highlights and shadows to enhance the three-dimensionality of the scene.

  8. step 08

    Refine the edges and details, ensuring that the overall impression remains loose and expressive.

color palette

primary · burnt umber · raw sienna · titanium white · cadmium red

secondary · ultramarine blue · yellow ochre · ivory black

Achieve the flesh tones by mixing various combinations of cadmium red, burnt umber, raw sienna, and titanium white. Use ultramarine blue and ivory black to create cooler shadows and grays.

techniques

  • ·alla prima
  • ·broken color
  • ·scumbling
  • ·dry brush
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details and losing the loose, expressive quality.
  • →Using colors that are too saturated or bright.
  • →Failing to establish a clear value structure.
  • →Ignoring the importance of edges and transitions.
  • →Getting bogged down in anatomical accuracy instead of capturing the overall impression.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·painting medium (e.g., Liquin)
  • ·varnish
  • ·easel

Use a medium-grit canvas to allow for better paint adhesion and texture. Consider using a toned canvas to establish a base color.

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oil painting for beginners →how to learn by studying the masters →
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