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home·artworks·Burial in the Carpathian Mountains
Burial in the Carpathian Mountains by Laszlo Mednyanszky

plate no. 5467

Burial in the Carpathian Mountains

Laszlo Mednyanszky, 1917

oilExpressionismlandscapeskymountainsfiguresgraveyardlandscapeclouds
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and expressive brushwork to convey mood and texture. It also provides practice in simplifying complex scenes into basic shapes and values.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition, focusing on the horizon line and the placement of the mountain range and figures.

  2. step 02

    Block in the sky with broad strokes of blue and white, creating a sense of depth and cloud formation.

  3. step 03

    Establish the mountain range with a base layer of brown and add highlights with white and subtle blues.

  4. step 04

    Define the background trees and foliage with dark browns and reds, using broken brushstrokes to suggest texture.

  5. step 05

    Paint the figures in the foreground with dark, muted colors, simplifying their forms and focusing on their silhouettes.

  6. step 06

    Add the graveyard details, such as crosses and mounds of earth, using a variety of browns and greens.

  7. step 07

    Develop the foreground grass with loose, expressive strokes of green and yellow, adding highlights and shadows.

  8. step 08

    Refine the details and adjust the values to create a cohesive and atmospheric painting.

color palette

primary · ultramarine blue · titanium white · burnt umber

secondary · yellow ochre · raw sienna · cadmium red

Mix muted greens by combining yellow ochre and ultramarine blue. Achieve atmospheric perspective by adding white to colors as they recede into the distance. Use burnt umber to create dark, earthy tones.

techniques

  • ·dry brush texture
  • ·atmospheric perspective
  • ·broken color
  • ·scumbling
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the expressive quality of the brushstrokes.
  • →Failing to create a sense of depth and atmosphere.
  • →Using colors that are too bright or saturated.
  • →Neglecting the importance of value contrast.
  • →Not simplifying the forms and shapes.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ultramarine blue oil paint
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·round brushes (various sizes)
  • ·palette knife
  • ·linseed oil

optional

  • ·palette
  • ·easel
  • ·painting medium

Use a medium-textured canvas to enhance the brushwork. Consider using a limited palette to create a harmonious color scheme.

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oil painting for beginners →how to learn by studying the masters →
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