apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Brahmshaus in Rüschlikon
Brahmshaus in Rüschlikon by Helen Dahm

plate no. 3479

Brahmshaus in Rüschlikon

Helen Dahm, 1928

oilExpressionismcityscapebuildinghousenightskystarslandscape
some experience helpful

Recreating this painting will help students develop skills in layering colors and creating texture with visible brushstrokes. It also provides practice in depicting a night scene with subtle variations in value.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the house, hill, and cloud formations.

  2. step 02

    Block in the dark background of the night sky with a mix of blues and browns.

  3. step 03

    Add the cloud shapes using lighter blues and whites, blending edges softly.

  4. step 04

    Paint the house with a base layer of muted greens and whites.

  5. step 05

    Add details to the house, such as windows and doors, using darker browns and blacks.

  6. step 06

    Paint the hill with dark browns and greens, using short, choppy brushstrokes.

  7. step 07

    Add the path leading to the house with lighter browns.

  8. step 08

    Add small dots of yellow and white for the stars.

color palette

primary · ultramarine blue · burnt umber · titanium white · yellow ochre

secondary · cadmium yellow · alizarin crimson

Achieve the muted greens for the house by mixing yellow ochre with a touch of ultramarine blue and white. Create the dark sky by blending ultramarine blue, burnt umber, and a small amount of alizarin crimson.

techniques

  • ·dry brush
  • ·layering
  • ·scumbling
  • ·broken color
  • ·impasto

common pitfalls

  • →Over-blending the clouds, resulting in a flat, unrealistic appearance.
  • →Making the house too bright, losing the sense of a night scene.
  • →Using too much detail in the foreground, distracting from the overall composition.
  • →Failing to create depth in the sky with subtle value changes.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oils)
  • ·mineral spirits or turpentine (for cleaning brushes)

optional

  • ·painting medium
  • ·easel
  • ·palette knife

Use a canvas with a medium texture to enhance the brushstrokes. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Dolly Sisters

Dolly Sisters

Kees van Dongen

Nude with Loaves

Nude with Loaves

Jean Helion

My Father

My Father

Carlos Botelho

Helen

Helen

Chronis Botsoglou

The portrait painter in the country

The portrait painter in the country

Albin Egger-Lienz

Marketta on Lázeňská street, Prague

Marketta on Lázeňská street, Prague

Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city

Winter at the Entrepotdok, in Amsterdam city

Paul Werner

Old Woman with Masks (Theatre of Masks)

Old Woman with Masks (Theatre of Masks)

James Ensor