apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Boyana Church
Boyana Church by Sirak Skitnik

plate no. 5268

Boyana Church

Sirak Skitnik

oilExpressionismcityscapechurchbuildingtreesfoliageskyarchitecture
some experience helpful

Recreating this painting will help students develop skills in layering colors and using expressive brushstrokes to create texture and form. It also provides practice in simplifying complex shapes into basic forms.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the church and surrounding foliage, focusing on proportions.

  2. step 02

    Block in the main color areas: the red-brown of the church, the green of the foliage, and the blue of the sky.

  3. step 03

    Begin layering darker values to define the shadows and forms within the church structure.

  4. step 04

    Add highlights to the church using lighter shades of red-brown and pink.

  5. step 05

    Develop the foliage by layering different shades of green, using short, expressive brushstrokes.

  6. step 06

    Refine the details of the church windows and architectural elements.

  7. step 07

    Add final touches to the sky, blending the blue tones and adding subtle variations.

  8. step 08

    Review the painting and make any necessary adjustments to the colors, values, and brushstrokes.

color palette

primary · red-brown · green · blue

secondary · ochre · gray · pink

Mix the red-brown by combining red, brown, and a touch of yellow. Create variations in the greens by mixing blue, yellow, and brown. Achieve the sky blue by mixing blue with white and a hint of violet.

techniques

  • ·broken color
  • ·impasto
  • ·layering
  • ·expressive brushwork
  • ·color mixing

common pitfalls

  • →Overworking the details and losing the expressive quality of the brushstrokes.
  • →Creating muddy colors by over-mixing.
  • →Failing to establish a strong value structure.
  • →Not simplifying the complex forms of the foliage.

materials

surface · stretched canvas

required

  • ·Stretched canvas (12x16 or similar)
  • ·Oil paints: red, brown, yellow, blue, white, ochre
  • ·Assorted brushes (flat and round)
  • ·Palette
  • ·Linseed oil or painting medium
  • ·Odorless mineral spirits
  • ·Palette knife

optional

  • ·Medium gloss
  • ·Easel
  • ·Apron

Use a medium-textured canvas to enhance the brushstroke visibility. Consider using a limited palette to simplify color mixing.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Dolly Sisters

Dolly Sisters

Kees van Dongen

Nude with Loaves

Nude with Loaves

Jean Helion

My Father

My Father

Carlos Botelho

Helen

Helen

Chronis Botsoglou

The portrait painter in the country

The portrait painter in the country

Albin Egger-Lienz

Marketta on Lázeňská street, Prague

Marketta on Lázeňská street, Prague

Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city

Winter at the Entrepotdok, in Amsterdam city

Paul Werner

Old Woman with Masks (Theatre of Masks)

Old Woman with Masks (Theatre of Masks)

James Ensor