apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Bohdan Khmelnytsky Enters Kyiv
Bohdan Khmelnytsky Enters Kyiv by Oleksa Novakivskyi

plate no. 6637

Bohdan Khmelnytsky Enters Kyiv

Oleksa Novakivskyi, 1920

oilPost-Impressionismhistory paintingcrowdhorsefigurearchitecturecityscapehistorical
some experience helpful

Recreating this painting will help students develop skills in depicting crowds and figures in motion, as well as understanding atmospheric perspective and simplifying complex scenes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the horse and the overall structure of the buildings.

  2. step 02

    Block in the main color areas: sky, buildings, crowd, and horse.

  3. step 03

    Start defining the shapes of the figures in the crowd, using simplified forms and dark tones.

  4. step 04

    Add details to the horse and rider, focusing on capturing the movement and form.

  5. step 05

    Develop the architectural details, using lighter tones for areas in the distance.

  6. step 06

    Refine the color palette, adding subtle variations and highlights.

  7. step 07

    Add final details and highlights to create depth and interest.

  8. step 08

    Review and adjust the overall composition and color balance.

color palette

primary · ultramarine blue · yellow ochre · titanium white

secondary · burnt sienna · cadmium red · ivory black

Mix various shades of gray and blue for the sky and distant buildings. Use yellow ochre and white for highlights on the architecture. Create flesh tones by mixing red, yellow, and white.

techniques

  • ·broken color
  • ·scumbling
  • ·alla prima
  • ·atmospheric perspective
  • ·simplified forms

common pitfalls

  • →Getting bogged down in details too early.
  • →Creating a flat, lifeless composition.
  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Not establishing a clear focal point.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·color chart

Use a medium-sized canvas to allow for sufficient detail without becoming overwhelming. Consider using a toned canvas to establish a base color.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

The Dinner Party

The Dinner Party

Jules-Alexandre Grun

La Fleuriste

La Fleuriste

Le Pho

Family on Vacation

Family on Vacation

Roman Selsky

Old wooden cottage in the snow

Old wooden cottage in the snow

Alfred Freddy Krupa

Paris Street

Paris Street

Maurice Utrillo

Grand bouquet of mimosa

Grand bouquet of mimosa

Moise Kisling

Versailles

Versailles

Alexandre Benois

Autumn Landscape with Birches

Autumn Landscape with Birches

Konstantin Gorbatov