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home·artworks·Blooming Cherry Tree
Blooming Cherry Tree by Janos Mattis-Teutsch

plate no. 6043

Blooming Cherry Tree

Janos Mattis-Teutsch

oilFauvismlandscapetreelandscapeskyhillsfoliagefield
some experience helpful

Recreating this painting will help students practice simplifying complex forms into basic shapes and using expressive brushstrokes to create texture and visual interest. It also encourages experimentation with color and non-realistic color palettes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the tree, hills, and ground, focusing on composition.

  2. step 02

    Block in the sky with a light blue/gray, using horizontal brushstrokes.

  3. step 03

    Apply the base colors for the hills (yellow, pink) and ground (green, turquoise) in broad strokes.

  4. step 04

    Paint the tree trunk with a light purple/pink, following the sketched outline.

  5. step 05

    Add the cloud-like foliage with thick strokes of white, pink, and hints of green.

  6. step 06

    Define the edges of the hills and ground with slightly darker or contrasting colors.

  7. step 07

    Add details like the pink and blue shapes in the foreground, and subtle variations in the sky.

  8. step 08

    Review and adjust colors and brushstrokes to match the original painting's expressive style.

color palette

primary · titanium white · yellow ochre · turquoise · pink

secondary · light green · light blue · purple

Mix white with small amounts of pink, green, and blue to achieve the subtle variations in the foliage and sky. Use yellow ochre and pink to create the hill colors. Mix turquoise with green and white for the ground.

techniques

  • ·impasto
  • ·broken color
  • ·simplified shapes
  • ·expressive brushwork
  • ·color mixing

common pitfalls

  • →Overworking the details and losing the simplicity of the original.
  • →Using colors that are too saturated or realistic.
  • →Not capturing the texture and energy of the brushstrokes.
  • →Failing to simplify the forms into basic shapes.

materials

surface · stretched canvas

required

  • ·stretched canvas (12x12 or similar)
  • ·acrylic or oil paints (titanium white, yellow ochre, turquoise, pink, light green, light blue)
  • ·round or flat brushes (various sizes)
  • ·palette
  • ·palette knife
  • ·linseed oil or acrylic medium
  • ·rags
  • ·container for cleaning brushes

optional

  • ·easel
  • ·painting medium
  • ·varnish

Use thick paint and visible brushstrokes to emulate the original painting's texture. Acrylics are faster drying, while oils allow for more blending.

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oil painting for beginners →how to learn by studying the masters →
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