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home·artworks·Bloemen Onder Glazen Stolp
Bloemen Onder Glazen Stolp by Gustave de Smet

plate no. 8794

Bloemen Onder Glazen Stolp

Gustave de Smet, 1939

oilExpressionismstill lifestill lifeflowersglasspitcherfigurinepainting
some experience helpful

Recreating this painting will help students develop skills in layering paint, capturing the essence of objects rather than precise details, and understanding color relationships in a complex still life setup. It also encourages exploration of expressive brushwork and simplification of forms.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and placement of the objects (pitcher, glass dome, figurine, paintings).

  2. step 02

    Block in the background with dark, muted tones.

  3. step 03

    Establish the main color masses for each object, focusing on overall tones rather than details.

  4. step 04

    Begin layering paint to build up form and texture, using visible brushstrokes.

  5. step 05

    Add highlights and shadows to create depth and dimension.

  6. step 06

    Capture the reflections and distortions in the glass dome.

  7. step 07

    Refine the details of the flowers and other objects, but maintain a loose, expressive style.

  8. step 08

    Add final touches and adjust colors as needed to achieve a harmonious composition.

color palette

primary · raw umber · titanium white · cadmium red light

secondary · ultramarine blue · cadmium yellow light · sap green

Use raw umber and white to create a range of neutral tones for the background and shadows. Mix primary colors to create muted greens, purples, and oranges for the flowers and other objects. Use white to lighten colors and create highlights.

techniques

  • ·alla prima
  • ·broken color
  • ·scumbling
  • ·impasto
  • ·layering

common pitfalls

  • →Overworking the details and losing the expressive quality.
  • →Creating muddy colors by over-mixing.
  • →Failing to capture the light and shadow accurately.
  • →Ignoring the overall composition and focusing too much on individual objects.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·cadmium red light oil paint
  • ·ultramarine blue oil paint
  • ·cadmium yellow light oil paint
  • ·assorted brushes
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-grain canvas to allow for texture. Consider using a limited palette to simplify color mixing.

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oil painting for beginners →how to learn by studying the masters →
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