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home·artworks·Bittersweet
Bittersweet by Georges Rouault

plate no. 0230

Bittersweet

Georges Rouault, 1935

oilExpressionismgenre paintingfigurewomanportraitdressseatedinterior
some experience helpful

Recreating this painting will help students practice simplifying complex forms into basic shapes and using bold outlines to define figures. It also encourages experimentation with color mixing to achieve specific skin tones and background hues.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the figure and background, focusing on proportions and composition.

  2. step 02

    Block in the large areas of color: the background green, the figure's skin tone, the red top, and the blue skirt.

  3. step 03

    Mix the skin tone by combining yellow ochre, cadmium red, and white, adjusting the ratios for highlights and shadows.

  4. step 04

    Define the contours of the figure and objects with thick black outlines, varying the thickness for emphasis.

  5. step 05

    Add details like the facial features, jewelry, and flower in the hair, keeping the style simple and expressive.

  6. step 06

    Refine the colors and values, adding subtle variations to create depth and interest.

  7. step 07

    Add highlights and shadows to enhance the form.

  8. step 08

    Review the painting and make any necessary adjustments to the composition, colors, or outlines.

color palette

primary · cadmium red · yellow ochre · ultramarine blue · titanium white

secondary · viridian green · ivory black

Mix skin tones using yellow ochre, cadmium red, and white. Vary the proportions for highlights and shadows. Create the background green by mixing viridian green with white and a touch of yellow ochre.

techniques

  • ·blocking in
  • ·outlining
  • ·color mixing
  • ·simplification
  • ·expressive brushwork

common pitfalls

  • →Overworking the details and losing the expressive quality.
  • →Making the outlines too uniform and lacking variation.
  • →Not simplifying the forms enough and getting bogged down in realism.
  • →Failing to mix the skin tones effectively and ending up with unnatural colors.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·#4 round brush
  • ·#8 flat brush
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oils)

optional

  • ·medium gloss
  • ·easel
  • ·rags

Use a medium-grain canvas for best results. Acrylics will dry faster, while oils allow for more blending time.

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oil painting for beginners →how to learn by studying the masters →
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