
plate no. 8315
Balthus, 1958
Recreating this painting will help students practice layering techniques to create depth and learn how to simplify complex scenes into basic shapes and colors. It also provides an opportunity to explore expressive brushwork and capture a mood rather than precise detail.
technical profile
approach — 8 steps
Lightly sketch the basic shapes of the buildings, trees, and horizon line using a diluted color.
Block in the sky with a thin layer of light blue, allowing some canvas to show through.
Establish the main color masses for the field and buildings, focusing on overall tone rather than detail.
Add the darker tones of the trees, using visible brushstrokes to create texture.
Introduce the figure and cow, simplifying their forms and using a limited palette.
Layer additional colors and textures to the field and trees, building depth and interest.
Refine the shapes of the buildings and add subtle details.
Add final touches and highlights to enhance the overall composition.
color palette
primary · sky blue · raw umber · titanium white · raw sienna
secondary · burnt sienna · payne's gray · yellow ochre
Mix the field colors by blending raw umber, raw sienna, and yellow ochre. Use white to lighten the sky and buildings. Create grays by mixing payne's gray with white and a touch of burnt sienna.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-tooth canvas to allow for texture. Consider using a toned canvas to establish a base color.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Dolly Sisters
Kees van Dongen

Nude with Loaves
Jean Helion

My Father
Carlos Botelho

Helen
Chronis Botsoglou

The portrait painter in the country
Albin Egger-Lienz

Marketta on Lázeňská street, Prague
Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city
Paul Werner

Old Woman with Masks (Theatre of Masks)
James Ensor