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home·artworks·Bicyclettes, Paris, France
Bicyclettes, Paris, France by C. R. W. Nevinson

plate no. 7234

Bicyclettes, Paris, France

C. R. W. Nevinson

oilExpressionismcityscapebuildingsstreetfigurebicyclescityscapeposters
some experience helpful

Recreating this painting will help students practice layering techniques to create depth and texture, as well as simplifying complex forms into basic shapes. It also offers a chance to study atmospheric perspective and muted color palettes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the buildings, street, and figure, paying attention to perspective.

  2. step 02

    Block in the main color areas with thin washes of paint, focusing on the overall value structure.

  3. step 03

    Add darker values to define shadows and create depth, especially in the building recesses and under the eaves.

  4. step 04

    Layer lighter values to indicate highlights on the buildings and street, using thicker paint.

  5. step 05

    Paint the details of the windows, doors, and signage, using a smaller brush.

  6. step 06

    Add the figure and bicycles, simplifying their forms and focusing on their silhouettes.

  7. step 07

    Create texture on the walls and street using dry brush techniques and broken color.

  8. step 08

    Refine the details and adjust the values to create a cohesive and atmospheric painting.

color palette

primary · raw umber · titanium white · payne's gray

secondary · burnt sienna · yellow ochre · ultramarine blue

Mix various shades of gray and brown by combining the primary colors. Use white to lighten values and blue to cool down the browns. Add small amounts of sienna or ochre for warmth.

techniques

  • ·dry brush
  • ·layering
  • ·atmospheric perspective
  • ·broken color
  • ·scumbling

common pitfalls

  • →Overworking the details and losing the overall atmospheric effect.
  • →Creating overly saturated colors that detract from the muted palette.
  • →Ignoring the perspective and creating a flat, unrealistic composition.
  • →Failing to simplify the forms and getting bogged down in unnecessary details.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·payne's gray oil paint
  • ·burnt sienna oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·#4 round brush

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a medium-grit canvas for better texture. Consider using a limited palette to simplify color mixing.

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oil painting for beginners →how to learn by studying the masters →
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