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home·artworks·Berkshire Landscape
Berkshire Landscape by Paul Nash

plate no. 7566

Berkshire Landscape

Paul Nash, 1927

oilExpressionismlandscapelandscapetreehillsskyfields
some experience helpful

Recreating this painting will help students develop skills in layering colors and creating texture with visible brushstrokes. It also provides practice in simplifying complex forms into basic shapes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 6 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the landscape: the tree, hills, and horizon line.

  2. step 02

    Block in the sky with a thin wash of pale gray.

  3. step 03

    Apply a base layer of color to the hills, using a mix of greens and browns.

  4. step 04

    Add darker values to the hills to create depth and shadow.

  5. step 05

    Paint the tree trunk with a mix of grays and browns, paying attention to the light and shadow.

  6. step 06

    Add details to the foreground, such as grass and small bushes, using short, broken brushstrokes.

  7. step 07

    Refine the colors and values throughout the painting, blending where necessary.

  8. step 08

    Add final highlights to the tree and hills to create a sense of light.

color palette

primary · yellow ochre · sap green · titanium white

secondary · burnt umber · payne's gray

Mix greens by combining yellow ochre and sap green. Use white to lighten colors and create highlights. Add burnt umber to darken colors and create shadows.

techniques

  • ·dry brush texture
  • ·broken color
  • ·layering
  • ·scumbling

common pitfalls

  • →Overblending the colors, resulting in a muddy appearance.
  • →Making the tree too symmetrical or perfect.
  • →Ignoring the subtle variations in color and value.
  • →Not capturing the loose, expressive brushstrokes.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·yellow ochre
  • ·sap green
  • ·titanium white
  • ·burnt umber
  • ·payne's gray
  • ·assorted brushes

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use a medium-sized canvas to allow for sufficient detail. Acrylics will dry faster, while oils will allow for more blending time.

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