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home·artworks·Behind the Inn
Behind the Inn by Paul Nash

plate no. 3128

Behind the Inn

Paul Nash, 1922

oilExpressionismlandscapebuildinglandscapetreesskyfencegrass
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and texture, as well as understanding perspective and composition in landscape painting. It also provides practice in capturing the effects of light and shadow.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and composition, paying attention to perspective.

  2. step 02

    Block in the sky with light blue and white, blending softly.

  3. step 03

    Establish the background hills and trees with muted reds, browns, and greens.

  4. step 04

    Paint the grass area using various shades of green, yellow, and brown, indicating light and shadow.

  5. step 05

    Add the building structure, focusing on the dark tones and details.

  6. step 06

    Paint the fences, using vertical brushstrokes to mimic the wood texture.

  7. step 07

    Add details to the trees and foliage, using smaller brushes.

  8. step 08

    Refine the overall painting, adjusting colors and values as needed.

color palette

primary · ultramarine blue · yellow ochre · burnt sienna · titanium white

secondary · sap green · raw umber · cadmium yellow

Mix greens by combining blue and yellow, and create muted tones by adding small amounts of complementary colors. Achieve the dark tones of the building by mixing umber, blue, and a touch of red.

techniques

  • ·layering
  • ·dry brushing
  • ·scumbling
  • ·color mixing
  • ·perspective

common pitfalls

  • →Overworking the details too early.
  • →Not establishing a strong value structure.
  • →Using colors straight from the tube without mixing.
  • →Ignoring the perspective of the fences and building.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·acrylic or oil paints
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oils)
  • ·odorless mineral spirits (if using oils)

optional

  • ·easel
  • ·painting medium
  • ·varnish

Use a medium-textured canvas to enhance the brushwork. Consider using a limited palette to simplify color mixing.

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