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home·artworks·Beatrice Hastings, Seated
Beatrice Hastings, Seated by Amedeo Modigliani

plate no. 2528

Beatrice Hastings, Seated

Amedeo Modigliani, 1915

oil, canvasExpressionismportraitfigureportraitwomanclothingshadowbackground
some experience helpful

Recreating this painting will help students develop skills in simplifying forms, mixing a limited palette of colors, and creating expressive brushstrokes to suggest texture and form. It also encourages exploration of abstracting facial features.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the figure, focusing on proportions and pose.

  2. step 02

    Block in the background with a thin layer of red-brown paint.

  3. step 03

    Establish the main color blocks for the figure's skin and clothing using a limited palette.

  4. step 04

    Develop the shadows and highlights on the face and body, blending softly.

  5. step 05

    Add details to the clothing, paying attention to the pattern and texture.

  6. step 06

    Refine the facial features, simplifying the eyes, nose, and mouth.

  7. step 07

    Add final touches and adjust values as needed.

  8. step 08

    Consider adding the signature in the bottom right corner.

color palette

primary · burnt sienna · raw umber · titanium white · cadmium red

secondary · ivory black · yellow ochre · ultramarine blue

Mix burnt sienna and raw umber with white to create the skin tones. Add small amounts of cadmium red for warmth and ultramarine blue for shadows. Use yellow ochre and white for the lighter areas of the shawl.

techniques

  • ·simplified forms
  • ·limited palette
  • ·expressive brushstrokes
  • ·soft blending
  • ·color layering

common pitfalls

  • →Overworking the details and losing the simplified aesthetic.
  • →Using too many colors and creating a muddy palette.
  • →Struggling with the proportions of the figure.
  • →Not capturing the expressive quality of the brushstrokes.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt sienna oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·round brushes (various sizes)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette of colors to capture the artist's style.

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oil painting for beginners →how to learn by studying the masters →
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