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home·artworks·Beata Umiltà Heals a Sick Nun
Beata Umiltà Heals a Sick Nun by Pietro Lorenzetti

plate no. 4863

Beata Umiltà Heals a Sick Nun

Pietro Lorenzetti, 1341

oilProto Renaissancereligious paintingnunsarchitecturereligious sceneinteriorfigurestree
some experience helpful

Recreating this painting will help students understand how to depict figures in simple drapery and how to create a sense of depth using linear perspective, even in a stylized manner. It also provides practice in rendering a limited color palette and creating subtle variations in tone.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic architectural structure and the placement of the figures, paying attention to proportions.

  2. step 02

    Block in the main areas of color: the gold background, the buildings, the figures' robes, and the bed.

  3. step 03

    Add details to the architecture, such as the roof tiles, windows, and the cross on the building.

  4. step 04

    Begin to define the figures' features and drapery, using darker tones to create shadows and lighter tones for highlights.

  5. step 05

    Work on the details of the faces, hands, and the halo of the central figure.

  6. step 06

    Add the details of the bed and the striped blanket.

  7. step 07

    Refine the colors and values throughout the painting, adjusting the tones to create a cohesive and balanced composition.

  8. step 08

    Add final details such as the tree and any remaining highlights.

color palette

primary · gold · red ochre · raw umber · ivory black

secondary · titanium white · burnt sienna · yellow ochre

Mix the robe colors by combining raw umber and ivory black with small amounts of red ochre or burnt sienna to create subtle variations. The gold background can be achieved by layering yellow ochre and burnt sienna.

techniques

  • ·Layering
  • ·Dry brushing (for the gold background texture)
  • ·Limited palette
  • ·Glazing (to enrich colors)
  • ·Linear perspective

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Making the colors too saturated.
  • →Failing to create a sense of depth.
  • →Overworking the details.

materials

surface · stretched canvas

required

  • ·Stretched canvas
  • ·Acrylic or oil paints
  • ·Round brushes (sizes 2, 4, 6)
  • ·Flat brush (size 8)
  • ·Palette
  • ·Palette knife
  • ·Linseed oil (if using oil paints)
  • ·Odorless mineral spirits (for cleaning brushes)

optional

  • ·Medium gloss
  • ·Retarder medium

A smooth canvas surface will be best for achieving the smooth, blended look of the original painting. Consider using a gesso primer to prepare the canvas.

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