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home·artworks·Polyptych
Polyptych by Pietro Lorenzetti

plate no. 7349

Polyptych

Pietro Lorenzetti, 1320

oilInternational Gothicreligious paintingreligious figuresaltarpiecegold leafarchitectureMadonnachild
experienced study

Recreating this painting will help students develop skills in figure drawing, layering paint to create depth, and working with a limited color palette to achieve harmony. It also introduces the challenges of replicating gold leaf effects.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
1

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Begin with a detailed sketch of the overall composition, paying close attention to the proportions and placement of each panel.

  2. step 02

    Transfer the sketch to the painting surface, ensuring accuracy in the linework.

  3. step 03

    Apply a base layer of color to each panel, focusing on the dominant hues and establishing the overall tonal range.

  4. step 04

    Begin layering colors to build up the forms and create depth, using subtle gradations and highlights.

  5. step 05

    Carefully render the details of the figures, including facial features, drapery, and accessories.

  6. step 06

    Replicate the gold leaf effect using metallic paints or gilding techniques.

  7. step 07

    Add final details and refine the overall composition, ensuring a cohesive and harmonious result.

  8. step 08

    Apply a protective varnish to the finished painting.

color palette

primary · red ochre · raw umber · ivory black · titanium white

secondary · gold · ultramarine blue · yellow ochre

Achieve flesh tones by mixing red ochre, raw umber, and titanium white. Create shadows by adding small amounts of ivory black to the base colors. Use glazes of ultramarine blue to add depth to the drapery.

techniques

  • ·layering
  • ·glazing
  • ·dry brushing
  • ·hatching
  • ·scumbling

common pitfalls

  • →Inaccurate proportions in the initial sketch.
  • →Overworking the details before establishing the overall composition.
  • →Using colors that are too saturated or bright.
  • →Failing to create a convincing gold leaf effect.

materials

surface · wood panel

required

  • ·Stretched canvas or wood panel
  • ·Gesso primer
  • ·Acrylic or oil paints
  • ·Assorted brushes (round and flat)
  • ·Palette
  • ·Palette knife
  • ·Linseed oil or acrylic medium

optional

  • ·Gold leaf or metallic paint
  • ·Varnish
  • ·Retarder medium

Using a smooth wood panel will provide a suitable surface for layering and glazing techniques. Consider using a retarder medium to extend the drying time of the paints, allowing for easier blending.

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