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home·artworks·Beach at Coney Island
Beach at Coney Island by George Bellows

plate no. 9471

Beach at Coney Island

George Bellows, 1908

oilAmerican Realismgenre paintingbeachfiguresoceanskytentssand
experienced study

Recreating this painting will help students develop skills in depicting figures in a crowd and understanding atmospheric perspective to create depth. It also provides practice in capturing light and shadow on a sandy beach.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
1

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the major elements like the tents, horizon line, and groups of figures.

  2. step 02

    Establish the overall color scheme by laying in thin washes of color for the sky, sea, and sand.

  3. step 03

    Block in the larger shapes of the figures, paying attention to their relative sizes and positions.

  4. step 04

    Begin to add details to the figures, focusing on capturing their gestures and expressions.

  5. step 05

    Develop the shadows and highlights on the sand and figures to create a sense of depth and volume.

  6. step 06

    Refine the details of the tents and other background elements.

  7. step 07

    Add final touches and highlights to bring the painting to life.

  8. step 08

    Step back and assess the overall balance and harmony of the painting, making any necessary adjustments.

color palette

primary · titanium white · yellow ochre · raw umber · ultramarine blue

secondary · cadmium red light · burnt sienna · ivory black

Mix various shades of beige and tan for the sand by combining white, yellow ochre, and raw umber. Use ultramarine blue and white with a touch of yellow ochre for the sky. Create skin tones with white, yellow ochre, cadmium red, and a touch of raw umber.

techniques

  • ·broken color
  • ·scumbling
  • ·alla prima
  • ·atmospheric perspective
  • ·figure drawing

common pitfalls

  • →Getting bogged down in details too early.
  • →Failing to establish a strong value structure.
  • →Ignoring the effects of light and shadow.
  • →Creating figures that are too stiff or unnatural.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·raw umber oil paint
  • ·ultramarine blue oil paint
  • ·cadmium red light oil paint
  • ·round brushes size 2, 4, 6
  • ·linseed oil

optional

  • ·palette knife
  • ·medium (e.g., Liquin)
  • ·easel

Use a medium-grain canvas for best results. Consider using a toned canvas to help establish the overall color scheme.

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oil painting for beginners →how to learn by studying the masters →
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