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home·artworks·Bathers on the Beach I 1912
Bathers on the Beach I 1912 by Lyonel Feininger

plate no. 8622

Bathers on the Beach I 1912

Lyonel Feininger, 1912

oilExpressionismgenre paintingfiguresbeachseaboatsarchitecturesky
some experience helpful

This painting provides a good opportunity to practice simplifying complex forms into geometric shapes and understanding how light and shadow create depth on flat planes. Students can also learn about color mixing to achieve the subtle variations in the sky and ground.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures, boats, and architectural elements.

  2. step 02

    Divide the canvas into geometric shapes, simplifying the forms of the figures and objects.

  3. step 03

    Block in the main colors of the sky, sea, and ground, using thin washes of paint.

  4. step 04

    Add the darker values to create shadows and define the geometric shapes.

  5. step 05

    Mix and apply the colors for the figures' clothing, paying attention to the subtle variations in tone.

  6. step 06

    Add the details of the boats and architectural elements, using a fine brush.

  7. step 07

    Refine the edges of the shapes and blend the colors where necessary.

  8. step 08

    Add final highlights to create a sense of depth and dimension.

color palette

primary · cerulean blue · yellow ochre · ivory black · titanium white

secondary · burnt sienna · cadmium red light · sap green

Mix the sky colors by blending cerulean blue, titanium white, and a touch of yellow ochre. Create the ground color by mixing yellow ochre, burnt sienna, and ivory black. Use white to lighten the colors for highlights.

techniques

  • ·geometric abstraction
  • ·color blocking
  • ·dry brushing
  • ·scumbling
  • ·limited palette

common pitfalls

  • →Overcomplicating the geometric shapes.
  • →Using too many colors and losing the harmony of the palette.
  • →Not paying attention to the values and creating a flat image.
  • →Getting lost in details too early.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·palette
  • ·palette knife
  • ·linseed oil or acrylic medium
  • ·odorless mineral spirits or water

optional

  • ·easel
  • ·painting varnish
  • ·retarder medium

Use a medium-grain canvas for best results. Acrylic paints are easier to clean up, but oil paints offer richer colors and blending capabilities.

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oil painting for beginners →how to learn by studying the masters →
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