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home·artworks·Barcelona Cathedral as a Blood Red Orange
Barcelona Cathedral as a Blood Red Orange by Malcolm Morley

plate no. 7814

Barcelona Cathedral as a Blood Red Orange

Malcolm Morley, 1986

oilExpressionismcityscapecathedralarchitecturecityscapeskysunsetbuilding
experienced study

Recreating this painting will help students develop skills in expressive brushwork and layering colors to create a dynamic and textured surface. Students will also learn to simplify complex architectural forms into abstract shapes and lines.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the cathedral structures and horizon line with a light pencil.

  2. step 02

    Apply a thin wash of diluted acrylics or thinned oils for the sky, using broad strokes to capture the sunset colors.

  3. step 03

    Block in the main colors of the cathedral structures, focusing on the overall shapes and values rather than precise details.

  4. step 04

    Begin layering more opaque colors to build up the texture and complexity of the architecture.

  5. step 05

    Use expressive brushstrokes and splattering techniques to create a sense of energy and movement.

  6. step 06

    Add highlights and shadows to define the forms and create depth.

  7. step 07

    Refine the details of the architecture, focusing on capturing the essence of the cathedral's design.

  8. step 08

    Add final touches and adjust colors as needed to achieve the desired effect.

color palette

primary · burnt sienna · cadmium red · ultramarine blue · titanium white

secondary · yellow ochre · purple · turquoise

Mix various shades of brown and red by combining burnt sienna, cadmium red, and a touch of ultramarine blue. Create the sky colors by mixing titanium white with ultramarine blue, yellow ochre, and touches of red and purple.

techniques

  • ·expressive brushwork
  • ·layering
  • ·splattering
  • ·dry brushing
  • ·color mixing

common pitfalls

  • →Getting bogged down in details too early.
  • →Creating a muddy or overworked surface.
  • →Losing the overall sense of composition and color harmony.
  • →Not allowing enough drying time between layers.

materials

surface · stretched canvas

required

  • ·stretched canvas (18x24 inches)
  • ·acrylic or oil paints
  • ·assorted brushes (round, flat, filbert)
  • ·palette
  • ·palette knife
  • ·painting medium (if using oils)
  • ·rags
  • ·water or solvent (depending on paint type)

optional

  • ·easel
  • ·apron
  • ·varnish

Use a medium-tooth canvas to provide a good surface for layering paint and creating texture.

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