apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Barbara at the Table
Barbara at the Table by Charles Blackman

plate no. 4925

Barbara at the Table

Charles Blackman, 1956

oilExpressionismgenre paintingfigureflowerstablechairinteriorstill life
some experience helpful

Recreating this painting helps develop skills in simplifying forms and using expressive brushstrokes to convey mood and texture. Students can learn to balance color intensity and create a cohesive composition with limited detail.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes: the figure, table, chair, and flower arrangement.

  2. step 02

    Block in the background with a thin layer of turquoise, using visible brushstrokes.

  3. step 03

    Establish the main color areas: red for the dress, brown for the table, and dark tones for the hair and chair.

  4. step 04

    Add the flower arrangement, focusing on the overall shape and color masses rather than individual petals.

  5. step 05

    Refine the figure's features and the details of the table and chair, keeping the style simplified and expressive.

  6. step 06

    Add highlights and shadows to create depth and dimension.

  7. step 07

    Adjust the colors and values as needed to achieve the desired mood and balance.

  8. step 08

    Add final details, like the cup on the table.

color palette

primary · turquoise · red · brown · black

secondary · pink · white · gray

Mix turquoise by combining blue and green with white. Achieve the red by mixing a crimson or scarlet with a touch of brown or black to darken it. Browns can be created by mixing complementary colors like blue and orange.

techniques

  • ·blocking in
  • ·expressive brushstrokes
  • ·color mixing
  • ·simplifying forms
  • ·scumbling

common pitfalls

  • →Overworking the details and losing the expressive quality.
  • →Creating muddy colors by overmixing.
  • →Failing to simplify the forms and shapes.
  • →Not paying attention to the overall composition and balance.

materials

surface · stretched canvas

required

  • ·Stretched canvas (16x20 inches)
  • ·Acrylic or oil paints (turquoise, red, brown, black, white)
  • ·Assorted brushes (flat and round)
  • ·Palette
  • ·Palette knife
  • ·Odorless mineral spirits or water (depending on paint type)
  • ·Linseed oil or acrylic medium

optional

  • ·easel
  • ·painting medium
  • ·varnish

Use a limited palette to encourage color mixing and harmony. Consider using a textured canvas to enhance the expressive brushstrokes.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Dolly Sisters

Dolly Sisters

Kees van Dongen

Nude with Loaves

Nude with Loaves

Jean Helion

My Father

My Father

Carlos Botelho

Helen

Helen

Chronis Botsoglou

The portrait painter in the country

The portrait painter in the country

Albin Egger-Lienz

Marketta on Lázeňská street, Prague

Marketta on Lázeňská street, Prague

Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city

Winter at the Entrepotdok, in Amsterdam city

Paul Werner

Old Woman with Masks (Theatre of Masks)

Old Woman with Masks (Theatre of Masks)

James Ensor