apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Banquet by Lantern Light
Banquet by Lantern Light by Ma Yuan

plate no. 9054

Banquet by Lantern Light

Ma Yuan

oilInk and wash paintinglandscapebuildingtreesmountainslandscapegarden
some experience helpful

Recreating this painting will help students understand atmospheric perspective and the use of limited color palettes to create depth and mood. It also provides practice in rendering fine details with ink or diluted paint.

technical profile

palette complexity
2
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Prepare a toned surface with a warm golden-brown wash.

  2. step 02

    Lightly sketch the main elements: the building, trees, and mountains.

  3. step 03

    Begin with the background mountains, using diluted brown ink or paint to create a soft, hazy effect.

  4. step 04

    Gradually build up the midground with layers of trees and foliage, using slightly darker tones.

  5. step 05

    Focus on the building, adding details like the roof tiles, columns, and windows with a fine brush.

  6. step 06

    Add the foreground trees and branches, paying attention to their intricate shapes and textures.

  7. step 07

    Use dry brush techniques to create texture on the building and trees.

  8. step 08

    Add final details and adjust values to create depth and contrast.

color palette

primary · sepia · burnt umber · raw sienna

secondary · ivory black

Achieve the various shades by diluting the primary colors with water or a transparent medium. Use ivory black sparingly to darken areas.

techniques

  • ·atmospheric perspective
  • ·dry brush
  • ·ink wash
  • ·layering
  • ·rendering fine details

common pitfalls

  • →Overworking the details and losing the overall atmospheric effect.
  • →Using too much black, which can make the painting look harsh.
  • →Failing to create enough depth between the foreground, midground, and background.
  • →Not diluting the paint/ink enough, resulting in a flat, opaque look.

materials

surface · watercolor paper or stretched canvas

required

  • ·watercolor paper or canvas
  • ·sepia ink or burnt umber paint
  • ·raw sienna paint
  • ·round brush (various sizes)
  • ·flat brush
  • ·water or blending medium
  • ·palette
  • ·paper towels

optional

  • ·palette knife
  • ·ruler
  • ·masking fluid

Use a good quality paper or canvas that can withstand multiple layers of washes. Experiment with different brushes to find the ones that work best for creating fine details and textures.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

The branch of wisteria

The branch of wisteria

Qi Baishi

Untitled

Untitled

Shen Zhou

Yang Guifei Mounting a Horse

Yang Guifei Mounting a Horse

Qian Xuan

A Night Feast Over a Thousand Years

A Night Feast Over a Thousand Years

Wu Guanzhong

Conversation with the mountain

Conversation with the mountain

Shitao

The Melons

The Melons

Shitao

The Source in the hollow of the Rock

The Source in the hollow of the Rock

Shitao

Mists on the mountain

Mists on the mountain

Shitao