apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Ballerina
Ballerina by Iosif Iser

plate no. 3427

Ballerina

Iosif Iser

oilExpressionismportraitfigureportraitballerinared dresstutugreen background
some experience helpful

Recreating this painting will help students develop skills in loose brushwork, color mixing for skin tones, and capturing the essence of a subject rather than photorealistic detail. It's a good exercise in expressive painting.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure.

  2. step 02

    Block in the background with a thin layer of green, varying the tones slightly.

  3. step 03

    Establish the main areas of color: red for the dress, white for the tutu, and darker tones for the hair and shadows.

  4. step 04

    Begin adding layers of paint, focusing on the light and shadow on the figure.

  5. step 05

    Use short, visible brushstrokes to create texture and movement.

  6. step 06

    Mix subtle variations of skin tones and apply them to the face and body.

  7. step 07

    Add details to the tutu, using white and hints of other colors to suggest its transparency.

  8. step 08

    Refine the edges and add final touches to the composition.

color palette

primary · cadmium red · titanium white · sap green

secondary · ultramarine blue · yellow ochre · burnt umber

Mix skin tones by combining white, yellow ochre, and a touch of red and umber. Use blue and umber to create darker tones for shadows and hair. Mix greens with yellow and blue, adding white for highlights.

techniques

  • ·broken color
  • ·alla prima
  • ·scumbling
  • ·color temperature
  • ·expressive brushwork

common pitfalls

  • →Overworking the details and losing the loose, expressive feel.
  • →Making the skin tones too flat or uniform.
  • →Failing to capture the light and shadow on the figure.
  • →Using too much detail in the background, distracting from the subject.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·acrylic or oil paints
  • ·#4 round brush
  • ·#6 flat brush
  • ·palette
  • ·linseed oil (if using oils)
  • ·palette knife

optional

  • ·medium gloss
  • ·easel
  • ·rags

Use a medium-grain canvas for better texture. Acrylics will dry faster, but oils allow for more blending time.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Dolly Sisters

Dolly Sisters

Kees van Dongen

Nude with Loaves

Nude with Loaves

Jean Helion

My Father

My Father

Carlos Botelho

Helen

Helen

Chronis Botsoglou

The portrait painter in the country

The portrait painter in the country

Albin Egger-Lienz

Marketta on Lázeňská street, Prague

Marketta on Lázeňská street, Prague

Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city

Winter at the Entrepotdok, in Amsterdam city

Paul Werner

Old Woman with Masks (Theatre of Masks)

Old Woman with Masks (Theatre of Masks)

James Ensor