apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Baia Mare Shipyard
Baia Mare Shipyard by Vasile Dobrian

plate no. 8008

Baia Mare Shipyard

Vasile Dobrian

oilExpressionismcityscapebuildingsfiguresmountainsindustrialcityscapestructures
some experience helpful

This painting provides practice in capturing a complex scene with simplified shapes and loose watercolor washes. Students will learn to balance detail with abstraction and create depth using color and value.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 6 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes and lines of the composition, focusing on the building and mountain outlines.

  2. step 02

    Apply a light wash of diluted brown or ochre to the building structure.

  3. step 03

    Paint the sky and mountains with a diluted blue-gray wash, allowing for variations in tone.

  4. step 04

    Add the red-brown color to the mid-ground structures, varying the intensity of the wash.

  5. step 05

    Define the figures with quick, loose strokes of color, using blues, greens, and yellows.

  6. step 06

    Use a fine brush or pen to add dark outlines and details to the buildings and figures.

  7. step 07

    Add final touches of color and shading to enhance depth and form.

  8. step 08

    Allow the painting to dry completely.

color palette

primary · burnt sienna · ultramarine blue · yellow ochre

secondary · sap green · raw umber · cadmium red

Mix blue and brown for the sky and mountain shadows. Use yellow ochre and burnt sienna for the building. Add a touch of red to the brown for the mid-ground structures.

techniques

  • ·watercolor washes
  • ·dry brush
  • ·line drawing
  • ·color mixing
  • ·simplified shapes

common pitfalls

  • →Overworking the details and losing the loose, expressive quality.
  • →Using too much water and creating muddy colors.
  • →Not allowing the washes to dry completely before adding details.
  • →Making the linework too heavy and overpowering the watercolor washes.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paper 140lb
  • ·watercolor paints
  • ·round brushes (sizes 4, 8)
  • ·fine liner brush
  • ·palette
  • ·water container
  • ·pencil
  • ·eraser

optional

  • ·masking fluid
  • ·ruler
  • ·kneaded eraser

Use good quality watercolor paper to prevent buckling. Experiment with different brush sizes to achieve varied line weights.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Dolly Sisters

Dolly Sisters

Kees van Dongen

Nude with Loaves

Nude with Loaves

Jean Helion

My Father

My Father

Carlos Botelho

Helen

Helen

Chronis Botsoglou

The portrait painter in the country

The portrait painter in the country

Albin Egger-Lienz

Marketta on Lázeňská street, Prague

Marketta on Lázeňská street, Prague

Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city

Winter at the Entrepotdok, in Amsterdam city

Paul Werner

Old Woman with Masks (Theatre of Masks)

Old Woman with Masks (Theatre of Masks)

James Ensor