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home·artworks·Auvergne. Town Esteng
Auvergne. Town Esteng by Zinaida Serebriakova

plate no. 4322

Auvergne. Town Esteng

Zinaida Serebriakova, 1935

oilExpressionismlandscapetowncastlehillsrivertreessky
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and layering techniques to create depth. It also provides practice in rendering architectural forms and natural landscapes with a limited color palette.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: the castle, hills, river, and town buildings.

  2. step 02

    Establish the sky with a thin wash of grey and hints of blue.

  3. step 03

    Block in the basic colors of the hills, using darker greens for shadows and lighter yellows for highlights.

  4. step 04

    Paint the castle and buildings with a mix of browns, oranges, and greys, paying attention to the light and shadow.

  5. step 05

    Add the river, reflecting the colors of the sky and surrounding landscape.

  6. step 06

    Paint the trees and foliage, using a variety of greens and browns.

  7. step 07

    Refine the details of the castle and buildings, adding windows, roofs, and other architectural elements.

  8. step 08

    Add final highlights and shadows to create depth and dimension.

color palette

primary · raw umber · titanium white · yellow ochre

secondary · cerulean blue · burnt sienna · sap green

Mix raw umber and white for the grey tones in the sky and buildings. Use yellow ochre and sap green for the hills, adding burnt sienna for shadows. Mix blue and white to create the sky.

techniques

  • ·layering
  • ·atmospheric perspective
  • ·color mixing
  • ·dry brushing
  • ·scumbling

common pitfalls

  • →Overworking the details too early.
  • →Using colors straight from the tube without mixing.
  • →Ignoring the atmospheric perspective and failing to create depth.
  • →Making the colors too saturated.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·#4 round brush
  • ·#8 flat brush
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-grit canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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