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home·artworks·Autumn Mountains after Wang Meng
Autumn Mountains after Wang Meng by Lan Ying

plate no. 2344

Autumn Mountains after Wang Meng

Lan Ying

oilInk and wash paintinglandscapemountainstreeslandscapefigurearchitecturewaterfall
some experience helpful

Recreating this painting will help students understand atmospheric perspective and how to create depth using value and detail. It also provides practice in rendering textures of rocks and foliage with ink wash techniques.

technical profile

palette complexity
2
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the overall composition, focusing on the placement of major elements like mountains, trees, and the figure.

  2. step 02

    Establish the darkest areas with diluted black ink, concentrating on the foliage and rock crevices.

  3. step 03

    Apply lighter washes of ink to create the mid-tones on the mountains and trees, building up layers to define form.

  4. step 04

    Use dry brush techniques with a slightly drier brush to add texture to the rocks and tree bark.

  5. step 05

    Add details to the trees, such as individual leaves and branches, using finer brushstrokes.

  6. step 06

    Paint the figure on the bridge, keeping it simple and small in scale.

  7. step 07

    Add subtle washes to the sky and water areas to create a sense of atmosphere.

  8. step 08

    Refine the details and adjust the values to achieve the desired depth and contrast.

color palette

primary · black ink · sepia

secondary · light brown · gray

Dilute black ink with water to achieve a range of values from light gray to deep black. Mix sepia with water to create warmer tones for the trees and foliage.

techniques

  • ·ink wash
  • ·dry brush
  • ·atmospheric perspective
  • ·layering
  • ·contour drawing

common pitfalls

  • →Overworking the details and losing the spontaneity of the brushstrokes.
  • →Creating too much contrast too early, making the painting look flat.
  • →Not diluting the ink enough, resulting in overly dark and heavy areas.
  • →Ignoring the importance of negative space in defining the forms.

materials

surface · rice paper

required

  • ·Chinese calligraphy brush (various sizes)
  • ·Chinese ink stick
  • ·Ink stone
  • ·Rice paper or watercolor paper
  • ·Water container
  • ·Felt mat
  • ·Weights or clips to hold paper

optional

  • ·palette
  • ·paper towels
  • ·spray bottle

Experiment with different types of rice paper to find one that suits your style. Use a soft brush for washes and a stiffer brush for dry brush techniques.

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