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home·artworks·Autumn in the old Yerevan
Autumn in the old Yerevan by Babken Kolozyan

plate no. 8560

Autumn in the old Yerevan

Babken Kolozyan, 1942

oilExpressionismcityscapebuildingstreesskywallgatecityscape
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and texture, as well as simplifying complex scenes into manageable shapes and values. It also provides practice in capturing the essence of light and shadow in a landscape.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and composition lightly on the canvas, focusing on the buildings, trees, and wall.

  2. step 02

    Block in the main color areas for the sky, buildings, trees, and wall with thin washes of color.

  3. step 03

    Start layering colors in the sky, adding subtle variations and highlights.

  4. step 04

    Develop the forms of the buildings, paying attention to the light and shadow.

  5. step 05

    Build up the foliage of the trees with short, broken brushstrokes, using a variety of warm colors.

  6. step 06

    Add details to the stone wall, varying the colors and textures of the stones.

  7. step 07

    Refine the details of the gate and other foreground elements.

  8. step 08

    Add final highlights and shadows to enhance the depth and realism of the painting.

color palette

primary · ultramarine blue · burnt sienna · yellow ochre

secondary · titanium white · cadmium red light · sap green

Mix various shades of blue for the sky by adding white or a touch of yellow. Create warm earth tones for the buildings and wall by mixing burnt sienna, yellow ochre, and white. Achieve the autumn foliage colors by blending cadmium red light, yellow ochre, and burnt sienna.

techniques

  • ·dry brush texture
  • ·broken color
  • ·layering
  • ·scumbling
  • ·color mixing

common pitfalls

  • →Overworking the details too early
  • →Using colors straight from the tube without mixing
  • →Not establishing a clear value structure
  • →Ignoring the importance of edges

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ultramarine blue oil paint
  • ·burnt sienna oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·round brushes size 2, 4, 6
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-textured canvas to allow for better paint adhesion and texture. Consider using a limited palette to simplify the color mixing process.

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