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home·artworks·Autumn Hills
Autumn Hills by Prudence Heward

plate no. 2559

Autumn Hills

Prudence Heward, 1941

oilExpressionismlandscapelandscapetreeshillsskyautumnfence
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and using visible brushstrokes to add texture and energy to the landscape. It also provides practice in simplifying complex forms into basic shapes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the hills, trees, and fence, paying attention to the overall composition.

  2. step 02

    Block in the sky with a light blue-gray wash.

  3. step 03

    Establish the base colors for the hills, using variations of green and brown.

  4. step 04

    Paint the tree masses, focusing on the warm autumn colors like reds, oranges, and yellows.

  5. step 05

    Add darker shadows to the trees and hills to create depth and dimension.

  6. step 06

    Paint the fence in the foreground with light gray and white, adding subtle shadows.

  7. step 07

    Refine the details of the trees and hills, adding texture with visible brushstrokes.

  8. step 08

    Make final adjustments to the colors and values to achieve a harmonious balance.

color palette

primary · yellow ochre · burnt sienna · sap green · titanium white

secondary · cadmium red · ultramarine blue · raw umber

Mix greens by combining yellow ochre and sap green with small amounts of blue. Achieve autumn colors by blending reds, oranges, and yellows with browns. Use white to lighten colors and create highlights.

techniques

  • ·dry brush texture
  • ·color layering
  • ·scumbling
  • ·broken color
  • ·impasto

common pitfalls

  • →Overworking the details and losing the expressive brushstrokes.
  • →Creating muddy colors by overmixing.
  • →Failing to establish a clear value structure.
  • →Not simplifying the forms enough, making the painting look too busy.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes sizes #4, #8
  • ·flat brush #6
  • ·palette
  • ·palette knife
  • ·linseed oil or acrylic medium
  • ·rags

optional

  • ·painting medium
  • ·easel
  • ·varnish

Use a medium-textured canvas to enhance the brushstroke visibility. Consider using a limited palette to simplify color mixing.

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