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home·artworks·Autumn Garden No. 3
Autumn Garden No. 3 by Charles Blackman

plate no. 4405

Autumn Garden No. 3

Charles Blackman

oilExpressionismgenre paintingfigurestairsleavesflowersdoggarden
experienced study

Recreating this painting will help students develop skills in layering colors, creating texture with brushstrokes, and understanding how to depict light and shadow in a complex scene. It also encourages expressive mark-making and capturing a mood rather than precise realism.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
2

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure, stairs, leaves, and dog.

  2. step 02

    Establish the dark background using a mix of dark browns and blacks.

  3. step 03

    Block in the main shapes of the leaves with a base color of yellow ochre or burnt sienna.

  4. step 04

    Add layers of color to the leaves, using variations of yellows, oranges, and browns to create depth and texture.

  5. step 05

    Paint the figure in red, paying attention to the folds and shadows in the clothing.

  6. step 06

    Add the white flowers using small, textured brushstrokes.

  7. step 07

    Paint the dog with white and gray tones, capturing its seated posture.

  8. step 08

    Refine the details and add highlights to create a sense of light and atmosphere.

color palette

primary · burnt sienna · yellow ochre · red · black

secondary · titanium white · raw umber · orange

Achieve the leaf colors by mixing burnt sienna and yellow ochre, adding small amounts of red or orange for variation. Create the dark background by mixing black with burnt umber and a touch of red.

techniques

  • ·layering
  • ·dry brushing
  • ·scumbling
  • ·broken color
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the expressive quality of the brushstrokes.
  • →Creating flat, lifeless colors without variation.
  • →Failing to establish a strong sense of light and shadow.
  • →Getting lost in the complexity of the composition and losing sight of the overall design.

materials

surface · stretched canvas

required

  • ·stretched canvas (18x24 inches)
  • ·acrylic or oil paints (burnt sienna, yellow ochre, red, black, titanium white)
  • ·assorted brushes (round, flat, filbert)
  • ·palette
  • ·palette knife
  • ·linseed oil or acrylic medium
  • ·rags
  • ·turpentine or water (for cleaning brushes)

optional

  • ·retarder medium
  • ·varnish
  • ·easel

Using a textured canvas can enhance the effect of the brushstrokes. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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