apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Autumn Day
Autumn Day by Petros Malayan

plate no. 5842

Autumn Day

Petros Malayan, 1973

oilExpressionismcityscapebuildingstreescityscapehousesfencesky
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and atmosphere, as well as simplifying complex scenes into basic shapes and values. It will also help with creating texture using visible brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the buildings, trees, and fence.

  2. step 02

    Establish the overall value structure with a thin wash of neutral gray or brown.

  3. step 03

    Begin layering in the darker tones, focusing on the shadows and areas of contrast.

  4. step 04

    Introduce the local colors of the buildings and trees, keeping the values consistent with the overall tone.

  5. step 05

    Add details such as windows, branches, and fence posts, using a smaller brush.

  6. step 06

    Refine the colors and values, paying attention to the subtle variations in tone.

  7. step 07

    Add final touches, such as highlights and texture, to bring the painting to life.

  8. step 08

    Consider a thin glaze to unify the colors.

color palette

primary · raw umber · burnt sienna · ivory black

secondary · yellow ochre · ultramarine blue · cadmium red light

Mix raw umber and ivory black for the dark grays. Use burnt sienna and yellow ochre for the warm tones of the buildings. Add a touch of ultramarine blue to darken the shadows and create a sense of depth.

techniques

  • ·dry brushing
  • ·layering
  • ·scumbling
  • ·color mixing
  • ·glazing

common pitfalls

  • →Overworking the details too early in the process.
  • →Creating too much contrast, which can flatten the image.
  • →Using colors that are too saturated, which can detract from the overall mood.
  • →Not establishing a clear value structure before adding color.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·ivory black oil paint
  • ·yellow ochre oil paint
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·turpentine

Use a canvas with a medium texture to help create the desired brushstroke effect. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Dolly Sisters

Dolly Sisters

Kees van Dongen

Nude with Loaves

Nude with Loaves

Jean Helion

My Father

My Father

Carlos Botelho

Helen

Helen

Chronis Botsoglou

The portrait painter in the country

The portrait painter in the country

Albin Egger-Lienz

Marketta on Lázeňská street, Prague

Marketta on Lázeňská street, Prague

Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city

Winter at the Entrepotdok, in Amsterdam city

Paul Werner

Old Woman with Masks (Theatre of Masks)

Old Woman with Masks (Theatre of Masks)

James Ensor