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home·artworks·Autorretrato en tiza
Autorretrato en tiza by Martin Pereira

plate no. 2772

Autorretrato en tiza

Martin Pereira

chalk, paperExpressionismself-portraitportraitfigurefacehairclothingneck
some experience helpful

Recreating this painting will help students develop skills in portraiture, including proportion and shading, as well as understanding how to use chalk to create texture and depth.

technical profile

palette complexity
2
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 6 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the head, neck, and shoulders.

  2. step 02

    Establish the background color with a light layer of brown and green chalk.

  3. step 03

    Begin blocking in the main areas of the face with light peach and brown tones.

  4. step 04

    Add darker tones to define the shadows and contours of the face.

  5. step 05

    Use white chalk to highlight the lighter areas of the face and hair.

  6. step 06

    Define the clothing with black and gray chalk, adding white for highlights.

  7. step 07

    Refine the details of the face, including the eyes, nose, and mouth.

  8. step 08

    Blend and soften the chalk to create a smooth, cohesive image.

color palette

primary · peach · brown · black

secondary · white · gray · green

Mix peach and brown to create skin tones. Use white to lighten colors and create highlights. Mix black and white for grays.

techniques

  • ·blending
  • ·hatching
  • ·scumbling
  • ·layering

common pitfalls

  • →Over-blending, which can result in a muddy appearance.
  • →Incorrect proportions of the facial features.
  • →Uneven application of chalk.
  • →Failing to establish a clear light source.

materials

surface · Toned pastel paper

required

  • ·Assorted chalk pastels
  • ·Paper (toned or pastel paper)
  • ·Blending stumps or tortillions
  • ·Kneaded eraser
  • ·Fixative spray
  • ·Pencil
  • ·Ruler

optional

  • ·Workable fixative
  • ·Soft cloths
  • ·Reference photo

Use a paper with a slightly rough texture to better grip the chalk. Work in a well-ventilated area when using fixative.

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how to draw →how to learn by studying the masters →
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