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Autorretrato by Carlos Quizpez Asín

plate no. 2051

Autorretrato

Carlos Quizpez Asín, 1960

oilExpressionismself-portraitportraitfigureself-portraitmanbookneutral background
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and subtle value gradations for realistic skin tones. It also provides practice in creating depth through careful color and value relationships.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the head, shoulders, and book.

  2. step 02

    Establish the background planes with thin washes of color, paying attention to the light and shadow.

  3. step 03

    Block in the main areas of color on the face, neck, and clothing, focusing on the overall value structure.

  4. step 04

    Begin refining the facial features, paying close attention to the shapes of the eyes, nose, and mouth.

  5. step 05

    Develop the subtle value gradations on the face to create a sense of form and depth.

  6. step 06

    Add details to the hair, paying attention to the direction of the light and the individual strands.

  7. step 07

    Refine the details of the book and hands, ensuring they are accurately rendered.

  8. step 08

    Make final adjustments to the overall composition, ensuring that the values and colors are balanced.

color palette

primary · raw umber · titanium white · ivory black · yellow ochre

secondary · burnt sienna · ultramarine blue · cadmium red light

Skin tones are achieved by mixing white, yellow ochre, and small amounts of red and umber. Darker areas use more umber and black, while highlights use more white and yellow ochre. The background is created with variations of umber and yellow ochre.

techniques

  • ·portraiture
  • ·value study
  • ·blending
  • ·color mixing
  • ·layering

common pitfalls

  • →Incorrect proportions of the facial features
  • →Overly harsh or muddy skin tones
  • →Ignoring the subtle value gradations on the face
  • →Lack of attention to detail in the hair and clothing

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·yellow ochre oil paint
  • ·#4 round brush
  • ·#6 flat brush
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. A medium-grit canvas will provide a good surface for blending.

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