apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Autoportrait n° 11
Autoportrait n° 11 by Bernard Buffet

plate no. 4389

Autoportrait n° 11

Bernard Buffet, 1981

oilExpressionismself-portraitportraitfigurefaceself-portraitmanexpressionism
some experience helpful

Recreating this painting will help students understand how to use expressive brushstrokes to convey emotion and how to simplify complex forms into basic shapes. It also provides practice in mixing and applying a limited color palette to create a cohesive and impactful image.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
4

study guide

est. 6 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the head, neck, and shoulders, focusing on proportions and angles.

  2. step 02

    Block in the background with a thin layer of yellow ochre, using visible brushstrokes.

  3. step 03

    Mix a range of gray tones using black and white, and begin to define the facial features, paying attention to the shadows and highlights.

  4. step 04

    Use a darker gray or black to outline the key features and add definition to the hair and clothing.

  5. step 05

    Add small amounts of blue to the grays for cooler tones in the shadows.

  6. step 06

    Introduce highlights with lighter grays and touches of white, especially on the nose, cheekbones, and forehead.

  7. step 07

    Refine the details of the eyes and mouth, capturing the expressive qualities of the portrait.

  8. step 08

    Add the signature and date in a similar style to the original.

color palette

primary · yellow ochre · black · white

secondary · blue

Mix various shades of gray by combining black and white in different ratios. Add small amounts of yellow ochre to the white for warmer highlights, and blue to the black for cooler shadows.

techniques

  • ·expressive brushstrokes
  • ·limited palette
  • ·simplification of form
  • ·value contrast
  • ·scumbling

common pitfalls

  • →Overworking the details and losing the expressive quality
  • →Using too many colors and creating a muddy effect
  • →Failing to capture the proportions of the face
  • →Not paying attention to the direction of the brushstrokes

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·yellow ochre paint
  • ·black paint
  • ·white paint
  • ·round brushes
  • ·flat brushes

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use a medium-textured canvas to enhance the visibility of the brushstrokes. Acrylics will dry faster, while oils will allow for more blending time.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Dolly Sisters

Dolly Sisters

Kees van Dongen

Nude with Loaves

Nude with Loaves

Jean Helion

My Father

My Father

Carlos Botelho

Helen

Helen

Chronis Botsoglou

The portrait painter in the country

The portrait painter in the country

Albin Egger-Lienz

Marketta on Lázeňská street, Prague

Marketta on Lázeňská street, Prague

Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city

Winter at the Entrepotdok, in Amsterdam city

Paul Werner

Old Woman with Masks (Theatre of Masks)

Old Woman with Masks (Theatre of Masks)

James Ensor